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Mexican Hayride (1948)

 -  Comedy | Romance  -  December 1948 (USA)
6.8
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Ratings: 6.8/10 from 818 users  
Reviews: 9 user | 6 critic

Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.

Director:

(as Charles T. Barton)

Writers:

(play), (play), 4 more credits »
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Title: Mexican Hayride (1948)

Mexican Hayride (1948) on IMDb 6.8/10

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Cast

Complete credited cast:
...
...
Virginia Grey ...
Montana the Bullfighter / Mary
Luba Malina ...
Dagmar
John Hubbard ...
David Winthrop, American Embassy
Pedro de Cordoba ...
Señor Martinez
Fritz Feld ...
Professor Ganzmeyer
Tom Powers ...
Plainclothesman Ed Mason
Pat Costello ...
Plainclothesman Tim Williams
Frank Fenton ...
Gus Adamson
Chris-Pin Martin ...
Mariachi Leader (as Chris Pin Martin)
Sid Fields ...
AP reporter (as Sidney Fields)
Flores Brothers Trio ...
Musicians Playing 'Is It Yes, or Is It No?'
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Storyline

Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.

Add Full Plot | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

December 1948 (USA)  »

Also Known As:

Mexican Hayride  »

Box Office

Budget:

$1,032,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The play opened in New York City, New York, USA on 28 January 1944 and ran for 481 performances, closing 17 May 1945. The stars were June Havoc and Bobby Clark, and included Luba Malina, who is also in this movie. Because Bud Abbott and Lou Costello fans expressed annoyance about so many musical numbers in their films, none of Cole Porter's music was used in this picture. See more »

Goofs

After the bull sends the barrel (with Lou inside) flying into the center of the bullring and it crashes, you can momentarily see the wires attached to the barrel. See more »

Quotes

Joe Bascom: Couldn't Jones make it?
Harry Lambert: Oh, sure, but he'd still be a smith.
Joe Bascom: How can a Jones be a Smith?
See more »

Connections

Featured in The World of Abbott and Costello (1965) See more »

Soundtracks

Cielito Lindo
(uncredited)
Traditional Mexican ballad
Played by the mariachi band led by Chris-Pin Martin
See more »

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User Reviews

 
Mexican Hayride (1948) **1/2
7 November 2010 | by (U.S.A.) – See all my reviews

**1/2 out of ****

An Abbott and Costello movie that comes off as something of a misfire, especially following right after the great ABBOTT & COSTELLO MEET FRANKENSTEIN, often considered one of their very best. Based on a play, this story is sort of awkward in the realm of Bud and Lou misadventures. We have Costello as a fugitive who's just won a contest where he danced a samba for 68 hours, and is now pursued by the police to Mexico. Of course, it's not poor Lou's fault; he was swindled by the character played by Abbott, and Costello needs to catch up with Bud and get his money back, and clear himself.

Naturally we get some gags here and there, but they're not among the comedy duo's finest. One running joke that really gets boring after the first couple of tries is Lou uncontrollably conditioned to dance the samba from force of habit, whenever hearing the music played. Another routine has Lou confronting a wild bull in an arena (what else would you expect in a Mexican comedy?). There are a couple of humorous scenes with assistance from guest stars like Fritz Feld (who attempts to teach Costello how to speak properly), and my personal favorite involving Sidney Fields as a fast-talking interviewer who won't let Lou get a word in edge-wise (Fields would later go on to play A&C's landlord on their TV show).

Lou's brother Pat Costello has a steady role here as one of the cops constantly trailing Lou. He'd made brief appearances in other movies and often as Lou's stunt double, but Pat is pretty much a wooden Indian throughout.


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