Upon discovering his fiancée Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are ... See full summary »
The caliph of Baghdad must go into hiding with a group of traveling performers when his brother usurps the throne. Both brothers desire a beautiful dancing girl, who is torn between power and true love.
A German zoo hires two hunters to catch a rare breed of panther in Malaysia. The girlfriend of one of the hunters accompanies them on their hunt, which tenses the situation as the other ... See full summary »
Set in the India of the British Raj. All the Indians are portrayed as untrustworthy, plotting to overthrow their British masters. The only 'loyal' Indian is Prince Azim who tries to warn ... See full summary »
The best version of Frankenstein ever put on film.
Back in the 30's and 40's of the last century, Jim Corbett held the place in the popular imagination later taken up by Jacques Cousteau: an adventurer and passionate crusader for conservation. His books were enormous best sellers so it was inevitable that one would be bought for the movies. "The Man Eaters [note the plural] of Kumaon" described every tiger he had seen or heard of who attacked a human being. In every case he found that the beast was sick or wounded and only killed humans because he was unable to hunt wild game. You may think it a lame effort to exonerate dangerous animals but keep an open mind and then try to figure out how to make such a book into a movie. There might be other ways but this one works marvelously.
A man (an American doctor) shoots at a tiger just as night is falling. He knows he has hit but when he reaches the spot where the tiger lurked he finds one severed toe and a trail of blood. Out of cowardice (the sun is setting)or carelessness (what the hell, it's only a tiger) he abandons the wounded creature to its fate. That's the first two minutes of the movie, in case you miss it.
From here on, while sticking rigorously to Corbett's thesis, the movie utterly abandons his narrative and follows almost exactly the storyline of Mary Shelley's "Frankenstein." If the movie is not more believable than her book, it is at least easier to understand. The monster has to kill to stay alive and isn't it right,just, even necessary, that it seek out the man who made it a monster? Especially in light of modern ideas about hunting in general and tigers in particular, this version is a lot easier to swallow than Shelley's Man vs. God allegory. I'll go so far as to say that the final scene is so right, so perfectly right, that Shelley would have used it in her book if she had thought of it.
9 of 13 people found this review helpful.
Was this review helpful to you?