A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, ...
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Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.
A barber, murderer because of jealousy, spends twenty years in jail. He cannot, however adjust himself to a changed world and to the hypocracy of his own relatives and decides to return ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Irene Girard is an ambassador's wife and used to living in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in need ... See full summary »
Divided into four episodes Roberto Rosellini's performs a ritual trip with India covering culture, beautiful architecture and also the State of India society, create an impression and a ... See full summary »
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, his entire village, beginning with the wealthy or illustrious. Soon, the poor he is so supposedly so enamored of become his victims too, so rife with impatience and contempt is he, that the slightest flaw is cause for smiting. Inevitably, he embarks on a task to destroy everyone. Written by
Rossellini had a wry sense of humor that showed up particularly in L'AMORE and his life of Francis of Assisi. Unfortunately for him, film making is a commercial art, and when people want to see a film by Roberto Rossellini, they want a drama. So this comedy, which owes a lot to E.T.A. Hoffman and Ernst Lubitsch (the preface even borrows from Lubitsch' DIE PUPPE) confounded the audiences. They expected a serious, small scale tragedy, and so didn't laugh. They stayed away and the film vanished for almost half a century. If you wanted a black comedy, you went to see a Billy Wilder film. Rossellini went back to doing what his audiences expected of him.
It's a pity. This is not a ground-breaking film for Rossellini, but it is a beautifully photographed and well-acted comedy with some wonderful pick-up shots.
If you see this movie, I suggest that you go in without any expectation of seeing a Rossellini film. Just give it the chance that you would give a film by some one you've never heard of before. On those terms, I expect you'll enjoy it a lot.
Aren't those the terms we should offer every movie?
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