Macbeth (1948)

Director:

Orson Welles

Writer:

William Shakespeare (play)

Release Date:

23 June 1950 (France)

Genre:

Drama

Tagline:

Entertainment Greatness . . . That Only Motion Picture Magic Can Bring !

Plot:

In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led...

Plot Keywords:

Wife | Scottish | Prophecy | King | Prophet

Cast

Orson Welles	...	Macbeth
Jeanette Nolan	...	Lady Macbeth
Dan O'Herlihy	...	Macduff
Roddy McDowall	...	Malcolm
Edgar Barrier	...	Banquo
Alan Napier	...	A Holy Father
Erskine Sanford	...	Duncan
John Dierkes	...	Ross
Keene Curtis	...	Lennox
Peggy Webber	...	Lady Macduff / The Three
Lionel Braham	...	Siward
Archie Heugly	...	Young Siward
Jerry Farber	...	Fleance
Christopher Welles	...	Macduff Child
Morgan Farley	...	Doctor

Runtime:

89 min (cut version) | Germany:92 min | USA:107 min (premiere version) | USA:107 min (restored video version)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Brazil:14 | Belgium:16 (Enfants Non Admis) | Finland:K-16 | USA:Approved | West Germany:12

Filming Locations:

CBS Studio Center - 4024 Radford Avenue, Studio City, Los Angeles, California, USA

Company:

Mercury Productions

Trivia:

The dialog was pre-recorded, leaving the actors to mime their lines.

Goofs:

Anachronisms: Duncan and his men renew their baptismal vows with a prayer composed by Pope Leo XIII in 1884.

Quotes:

[first lines]
The Three Witches: Double,double,toil and trouble; fire burn, and cauldron bubble.

Movie Connections:

Spoofed in "The Simpsons: Four Great Women and a Manicure (#20.20)" (2009)

Orson's Passion

Lord Macbeth encounters witches that foresee his ascension to power and finally to the throne. Driven on by this prophecy and his ambitious and manipulative wife, Macbeth plots, betrays and murders to become King. This is Shakespeare at his most bleak, pessimistic and chilling.

Orson Welles, a lover of Shakespeare from an early age, would make three attempts to bring the Bard to the screen. Each attempt has the same strengths (ambition, performance, Welles himself and visual genius) and weaknesses (a beggar's budget). Of these three attempts (the other two being Othello and Chimes at Midnight), Macbeth is the least handicapped by technical difficulties, even if is the weakest overall.

Welles used borrowed costumes and unusual locations (such as an abandoned mine) and shot them in a staggeringly surreal way that greatly enhances the overall quality. As an adaptation, his Macbeth is very faithful in spirit, and trimmings in the text serve only to make it more cinematic and compliant with limited resources. Never, to the star/director's credit, does this feel like a "small" film. Rather, it is inspirational, and traces of it's genius can be found in Kurosawa's version, "Throne of Blood", shot ten years later.

Essential viewing. Especially for those in Europe who have access to Wild Side's beautiful new transfer of the full 115 minute version.