A new man joins the civilian firefighters at a London unit during the Second World War. He meets his fellow firemen and firewomen, manages to enjoy some leisure time with them, and then ... See full summary »
In Peru in the eighteenth century. Camilla, the star of a theater company, hesitates between three men. The Viceroy gives her his magnificent golden coach. A young Spanish officer suggests ... See full summary »
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the ... See full summary »
This movie was the first movie produced in Israel. It deals with the outbreak of hostilities during the war for independence in 1947. The memory from this movie was the sadness and ... See full summary »
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career... See full summary »
A young Cajun boy named Alexander Napolean Ulysses Latour spends his time on a Louisiana bayou. There he plays, fishes and hunts, worrying only about the alligators which infest its waters. The boy's innocent routine changes forever when his father signs a lease agreement with an oil company which brings a derrick into their corner of the bayou. Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
another film from robert flaherty (nanook of the north and man of aran). the other two films i've seen from him are documentaries, whereas this one is pretty much a straight film (though it won an academy for best documentary). an argument could be made for man of aran as a documentary, but i don't think that this one qualifies. i think that flaherty works better within the documentary confines. perhaps this is because he needn't worry about developing a story or script - that comes naturally given the genre - and so he can focus more on the editing process and capturing the humanity of the characters. it's also possible that his venture into feature films came after he reached his peak. nanook of the north and man of aran had the similar theme of man's struggle to survive within nature. while they followed rather simple people using simple tools (harpoons and fish hooks mostly) this film introduces industry as man's tool in conquering nature. i must admit that this turned me off of the film a bit; it just didn't seem as pure. it's a beautiful film - the black and white photography really looks good (it was restored by the ucla film archive) and the shots are well composed. the story is told through the eyes of a young boy who wanders around the louisiana swamps on his canoe. he comes to admire the crew of the oil rig that has come to his part of the swamp to drill for oil as part of a deal his father has made with a business partner. the oil people's presence is given much more of a positive portrayal than i would have expected from flaherty. as i perused some of the dvd extras i discovered why this is...it turns out that standard oil commissioned the production and requested a film that showed the beauty of humanity and positive impact oil can have while being entertaining all the while. it's flaherty's best looking film and, again, the score is a highlight, but i think it's kind of a shame this had to be his final picture. B.
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