Following WWII and with China brought to it's knees by the actions of the Japanese, prior to the rise of the Communists, led by Chairman Mao. This is the time during which Fei Mu's film ... See full summary »
Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »
In this blend of documentary and fictional narrative from pioneering filmmaker Robert Flaherty, the everyday trials of life on Ireland's unforgiving Aran Islands are captured with attention to naturalistic beauty and historical detail.
Robert J. Flaherty
Colman 'Tiger' King,
Based on an actual strike against the Empire Zinc Mine in New Mexico, the film deals with the prejudice against the Mexican-American workers, who struck to attain wage parity with Anglo ... See full summary »
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career... See full summary »
A young Cajun boy named Alexander Napolean Ulysses Latour spends his time on a Louisiana bayou. There he plays, fishes and hunts, worrying only about the alligators which infest its waters. The boy's innocent routine changes forever when his father signs a lease agreement with an oil company which brings a derrick into their corner of the bayou. Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
another film from robert flaherty (nanook of the north and man of aran). the other two films i've seen from him are documentaries, whereas this one is pretty much a straight film (though it won an academy for best documentary). an argument could be made for man of aran as a documentary, but i don't think that this one qualifies. i think that flaherty works better within the documentary confines. perhaps this is because he needn't worry about developing a story or script - that comes naturally given the genre - and so he can focus more on the editing process and capturing the humanity of the characters. it's also possible that his venture into feature films came after he reached his peak. nanook of the north and man of aran had the similar theme of man's struggle to survive within nature. while they followed rather simple people using simple tools (harpoons and fish hooks mostly) this film introduces industry as man's tool in conquering nature. i must admit that this turned me off of the film a bit; it just didn't seem as pure. it's a beautiful film - the black and white photography really looks good (it was restored by the ucla film archive) and the shots are well composed. the story is told through the eyes of a young boy who wanders around the louisiana swamps on his canoe. he comes to admire the crew of the oil rig that has come to his part of the swamp to drill for oil as part of a deal his father has made with a business partner. the oil people's presence is given much more of a positive portrayal than i would have expected from flaherty. as i perused some of the dvd extras i discovered why this is...it turns out that standard oil commissioned the production and requested a film that showed the beauty of humanity and positive impact oil can have while being entertaining all the while. it's flaherty's best looking film and, again, the score is a highlight, but i think it's kind of a shame this had to be his final picture. B.
5 of 12 people found this review helpful.
Was this review helpful to you?