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Dulcimer Street (1948)
"London Belongs to Me" (original title)

 -  Drama  -  7 November 1948 (USA)
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Ratings: 7.0/10 from 186 users  
Reviews: 10 user | 3 critic

Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, Percy becomes mixed up with gangsters and a murder. ... See full summary »


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Title: Dulcimer Street (1948)

Dulcimer Street (1948) on IMDb 7/10

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Cast overview, first billed only:
Fay Compton ...
Stephen Murray ...
Uncle Henry
Wylie Watson ...
Susan Shaw ...
Joyce Carey ...
Ivy St. Helier ...
Andrew Crawford ...
Headlam Fynne
Eleanor Summerfield ...
The Blonde
Gladys Henson ...
Maurice Denham ...
Ivor Barnard ...
Mr. Justice Plymme
Cecil Trouncer ...
Mr. Henry Wassall


Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, Percy becomes mixed up with gangsters and a murder. The story focuses on the effects this has on Percy and the other residents. Written by Col Needham <>

Plot Summary | Add Synopsis




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Release Date:

7 November 1948 (USA)  »

Also Known As:

Dulcimer Street  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


The first film of Ewan Roberts. See more »


Mr. Squales: [to himself looking in mirror] Can you do such a thing? Yes, you can.
See more »


Referenced in The Ladykillers (1955) See more »


(Little) Girl In Blue
Music by Benjamin Frankel (as Ben Bernard)
Lyrics by Harold Purcell
Sung by Dick James
See more »

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User Reviews

Interesting but deeply flawed
14 June 2007 | by (Hampshire, England) – See all my reviews

A nicely evoked 1930s setting provides much interest for a viewer in the early 21st century; unfortunately, "London Belongs to Me" has little else to recommend it besides lashings of quaint English charm. All of the problems rest with the deeply unfocused story. The main plot concerns the actions of young lad Richard Attenborough, the problems he gets into and how the community in which he lives bands together to save him from society's laws. Or something. The main issue here is that Attenborough's character brings everything upon himself and, quite frankly, is guilty of almost every accusation brought against him, so it's baffling why the film (and all the characters) have so much sympathy for him. He's treated as a victim of circumstance when he really, really isn't; and what's more he isn't shown to have very much remorse for his actions, only caring about getting away with things he didn't mean to do. Alastair Sim gets a lot of screen time in a subplot that has absolutely nothing to do with the main plot line and you wonder what he's doing there (though Sim is, as always, superb). You know there's a problem with the structure when the main plot impacts constantly against the subplot but not vice-versa. And, following a sedate pace and a careful build up, the plot completely falls apart in the last 20 minutes with a deeply unsatisfying and unexplained conclusion which doesn't even show us if Attenborough's character has developed at all from the previous proceedings. The film doesn't end, it just stops.

The acting, direction and the general feel of the film can all be commended but unfortunately the story and structure of the piece jars constantly. A last point of trivia: Alec Guinness based his performance in the vastly superior film "The Ladykillers" on Alastair Sim's performance in this film, right down to both the characters having almost identical first scenes.

6 of 11 people found this review helpful.  Was this review helpful to you?

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