In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
After a long absense from the island, Chester Tuttle returns to Tahiti to find that little has changed. His large family, particularly his scheming Uncle Jonas, would rather dance and ... See full summary »
In Vienna in 1900, Stefan Brand must face a duel the following morning. He has no intention of defending his honor however and plans to flee the city when he notices that he has received a letter from someone in his past. A struggling concert pianist at the time he met Lisa Berndle when she was just a teenager living next door. Brand has had many women in his life however and unaware that Lisa is genuinely in love with him, forgets all about her. They meet again but he only vaguely remembers ever having met her. Unknown to him she bears his child and eventually marries a man who knows of her past but loves her very much. When she runs into Brand many years later her love for him resurfaces and she is prepared to abandon her son and husband for him. Tragedy follows. Written by
This has to be one of my all time favorite films. Ophuls is perhaps the most graceful and elegant film-maker ever. Here in Letter from an Unknown Woman, he is at his most romantic. Though the romance is only a fantasy (and so beautifully subverted by Ophuls graceful choreography and merciless sense of irony), passion is nevertheless king (or queen). I have never seen a film celebrate love in quite this way. It reminds me of one of the most beautiful lines in cinema from Altman's "Gosford Park" when Sophie Thompson says, "I believe in love. Not just getting it... giving it. I think as long as you can love somebody, whether or not they love you, then it's worth it." Ophuls' entire film plays with this very notion. Lise's fanatical love (and obsession) is requited not by Stefan but by Ophuls himself, and of course by weepy viewers like me and hopefully you too.
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