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Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
Much of Max Ophüls' elegant Vienna, so affectionately and painstakingly presented here, vanished during the First World War, but much remains today, the baroque accoutrements, the omnipresent aura of devout Catholicism, the genteel amusements of the Prater, and, of course, the music. In that respect, the musical, Vienna has never emotionally quit the time of Emperor Franz Josef.
The photography here is luminous, so befitting since Joan Fontaine has probably never been more radiant. The film seems custom-made for her demeanour, as early on she plays the mild girl of modest means, the one with that expression like a frightened doe. This is the kind of portrayal which served her so well in "Rebecca" and "Suspicion".
She gains confidence and poise as the story progresses, but the reticence remains. Therein lies the story's drama.
At her height of prosperity, she dons a fur coat of purest white, as white as the helping of Schlagobers which accompanies a Viennese cup of Schokolade. As pure of hue as an unsullied white rose. But the purity of the whiteness is illusory. Franz Kafka was beginning to write at about this time in the Cisleithanian city of Prague to the north; he clearly understood the symbolism implicit in fur. Joan's security is undermined by the illicit secret from her past.
Stefan Brand's dumb manservant is an enigmatic figure. He would seem to be the embodiment of all the emotions left unstated by the principal characters. So much goes unsaid in Max Ophüls' charming Austro-Hungarian tragedy.
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