In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
This symbol-filled story, filmed with sensuous detail and nuance, is set in Austria in the 1920s. While being treated for asthma at a country spa, an American diplomat's lonely 12-year-old ... See full summary »
Klaus Maria Brandauer
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on March 10, 1949 with Joan Fontaine and Louis Jordan reprising their film roles. See more »
Now I'm alone. My head throbs and my temples are burning. Perhaps God has been kind, and I too have caught the fever. If this letter reaches you, believe this - that I love you now as I've always loved you. My life can be measured by the moments I've had with you and our child. If only you could have shared those moments, if only you could have recognized what was always yours, could have found what was never lost. If only...
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All of Ophulus films are remarkable achievements of content and form, but, this film is certainly his greatest contribution to cinema in the USA, and arguably his greatest film of any period. It is the intoxicatingly bittersweet tale of the obsessive love a young girl (Joan Fontaine) develops for a rougish pianist (Louis Jordan) that remains throughout each charcters life, long after most school-girl crushes have faded away. Fontaine charcter is so convincingly and sympathetically drawn that we are pulled into her desire for this rather self-possessed artist against our own rational thoughts. And as the film progresses Fontaine's attraction to the artist begins to deepen and humanize the audiences response to him. This film is deeply concerned with a woman's role under patriarchy and the limitations of "romantic" love as a form of fulfillment. It is also a well thought out examination of the idea of the "artistic" life as offering the possibilities of either liberation or entrapment.
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