In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
This film grows even more extraordinary when compared with its source, Stefan Zweig's novella of the same name. In the story, Stefan is a writer, not a musician. The film transforms him into a pianist, thereby insuring that his seductive art can work on the audience at the same time as it works on the heroine. This movie gets bigger every time it is viewed. It seems to offer new surprises every time, because of the perfection of its structure and the implicative richness of its mise-en-scene. The echo effects ("Two weeks!") take on fresh meanings, and there is even a good deal of religious symbolism to be found.
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