Letter from an Unknown Woman (1948) 7.9
A pianist about to flee from a duel receives a letter from a woman he cannot remember whom may hold the key to his downfall. Director:Max Ophüls |
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Letter from an Unknown Woman (1948) 7.9
A pianist about to flee from a duel receives a letter from a woman he cannot remember whom may hold the key to his downfall. Director:Max Ophüls |
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| Watch Trailer 0Share... |
| Complete credited cast: | |||
| Joan Fontaine | ... | ||
| Louis Jourdan | ... | ||
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Mady Christians | ... |
Frau Berndle
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Marcel Journet | ... |
Johann Stauffer
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Art Smith | ... |
John
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Carol Yorke | ... |
Marie
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| Howard Freeman | ... |
Herr Kastner
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John Good | ... |
Lt. Leopold von Kaltnegger
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Leo B. Pessin | ... |
Stefan Jr.
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Erskine Sanford | ... |
Porter
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Otto Waldis | ... |
Concierge
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Sonja Bryden | ... |
Frau Spitzer
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In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by <jhailey@hotmail.com>
This movie is really great in how it conjures up so much tasteful melodrama through its structure and the unique way in that the main characters spend less time on screen together interacting than they do just being painfully tragic.
I really enjoy the structure of the piece, through the title letter which gives a sense of dated urgency if that makes any sense. We read along with the man who also doesn't not really know the whole story, and so we see through her eyes in a fresh sense his being while discovering the story along with him. It is an interesting way of making the movie. Fontaine is wonderfully vulnerable and believable as a woman who tries and tries and tries and matures and regresses through decades of life. My favorite part of course is the lovely "train ride" through different vistas, its cutesy but also a comment on how their romance is so supercilious to him but everything to her, in a fake box car. Depression may occur after viewing this film.