Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's ... See full summary »
In a remote 19th Danish century village two sister lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... See full summary »
A little girl, Mui, went to a house as a new servant. The mother still mourns the death of her daughter, who would have been Mui's age. In her mind she treated Mui as her daughter. 10 years... See full summary »
Tran Anh Hung
Tran Nu Yên-Khê,
Man San Lu,
Thi Loc Truong
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on March 10, 1949 with Joan Fontaine and Louis Jordan reprising their film roles. See more »
When Stefan and Lisa are riding on the train, the scenery from the window is an extended drawing of a landscape with mountains, trees and houses that manually scans across. See more »
Now I'm alone. My head throbs and my temples are burning. Perhaps God has been kind, and I too have caught the fever. If this letter reaches you, believe this - that I love you now as I've always loved you. My life can be measured by the moments I've had with you and our child. If only you could have shared those moments, if only you could have recognized what was always yours, could have found what was never lost. If only...
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This is a well directed film from a director who appears to know what he needs from his actors, and camera operators. He especially manages to portray the lead character Lisa, played by the great Joan Fontaine very well. And Fontaine gives this renowned director what he wants. She plays both the vulnerable and later the hardened Lisa in her mature role adeptly. The very handsome Louis Jourdan, and the Vienna setting are turned into props by the director to exaggerate Lisa's vulnerability.
It is within Lisa's vulnerability that the audience can see how the concept of romantic love has been used to make women emotionally needy, which can then be taken advantage of by the likes of Jourdan's character Stefan. In the real world, romantic love becomes a commodity for transacting a deal which secures relationships. Therefore, women play up to the idea of romantic love, rather than succumb to it, and use it as a meal ticket for their security in a man's world. This is illustrated in the film by Lisa, who later marries a man for financial security, as well as respectability, as opposed to love.
After several viewings of this film, I have to say it's one of the best around!
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