In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
An admirable scene sums up the whole movie:Stefan and Liza are aboard a "train" and they "travel".It's actually a fixed train,and some kind of stagehand forwards a chocolate box scenery :Venice ,Switzerland... In the real world ,trains are ominous messengers of death and despair:it's a train which takes Stefan away after their affair,a train which takes the young boy to his death.
Stefan (Jourdan)lives his selfish life without seeing anything.Ophuls(spelled Opuls in the cast and credits) shows him as a handsome nice young man,but if you look with care,you'll notice it's always Liza(Fontaine)who's looking at him with love.Jourdan seems to care but actually he knows so many women that he acts as if he's in a play:Liza's admiration means nothing to him who is a ladykiller-see the scene when Liza comes back from the station- and a celebrated musician adulated by the crowds.Liza is the romantic woman,with a zest of touch of Madame Bovary thrown in -it's not a coincidence if Minnelli chose Jourdan as Madame Bovary's lover in his eponymous movie the very same year-For her,there must be only one love ,and she's prepared to give it all.
Joan Fontaine had perhaps never been so good as here.Her whole life ,as she writes her letter (the movie is a flashback ) could have been written in the past conditional.Main influence is certainly that of John Stahl and his "only yesterday" (1933)in which Margaret Sullavan wrote John Boles such a letter.Even the young boy is present in both movies.The last page of the letter,ink-stained (or tear-stained?)takes the audience to a peak of emotion.The final predates the ending of Ophuls's "Madame de" (1953),and the scene on the "train" ,an imitation of life ,the big circus of "Lola Montes" (1955)
This is probably Louis Jourdan's best part as well.A French actor,he was never that much popular in his native country ,and he found his best parts in the US ,be it artistically (Ophuls ,Hitchcock and Minnelli) or commercially (Octopussy) speaking.
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