In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes ... See full summary »
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme ... See full summary »
This symbol-filled story, filmed with sensuous detail and nuance, is set in Austria in the 1920s. While being treated for asthma at a country spa, an American diplomat's lonely 12-year-old ... See full summary »
Klaus Maria Brandauer
In the late 1800's, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He's already a problem to the Crown because of his political ideas; this... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction. Written by
The course of our lives can be changed by such little things. So many passing by, each intent on his own problems. So many faces that one might easily have been lost. I know now that nothing happens by chance. Every moment is measured; every step is counted.
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This is a well directed film from a director who appears to know what he needs from his actors, and camera operators. He especially manages to portray the lead character Lisa, played by the great Joan Fontaine very well. And Fontaine gives this renowned director what he wants. She plays both the vulnerable and later the hardened Lisa in her mature role adeptly. The very handsome Louis Jourdan, and the Vienna setting are turned into props by the director to exaggerate Lisa's vulnerability.
It is within Lisa's vulnerability that the audience can see how the concept of romantic love has been used to make women emotionally needy, which can then be taken advantage of by the likes of Jourdan's character Stefan. In the real world, romantic love becomes a commodity for transacting a deal which secures relationships. Therefore, women play up to the idea of romantic love, rather than succumb to it, and use it as a meal ticket for their security in a man's world. This is illustrated in the film by Lisa, who later marries a man for financial security, as well as respectability, as opposed to love.
After several viewings of this film, I have to say it's one of the best around!
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