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| Rita Hayworth | ... | Elsa Bannister | |
| Orson Welles | ... | Michael O'Hara | |
| Everett Sloane | ... | Arthur Bannister | |
| Glenn Anders | ... | George Grisby | |
| Ted de Corsia | ... | Sidney Broome (as Ted De Corsia) | |
| Erskine Sanford | ... | Judge | |
| Gus Schilling | ... | Goldie | |
| Carl Frank | ... | District Attorney Galloway | |
| Louis Merrill | ... | Jake | |
| Evelyn Ellis | ... | Bessie | |
| Harry Shannon | ... | Cab Driver | |
| rest of cast listed alphabetically: | |||
| William Alland | ... | Reporter (uncredited) | |
| Jessie Arnold | ... | Schoolteacher at Aquarium / Courtroom Spectator (uncredited) | |
| Wong Artarne | ... | Ticket Taker (uncredited) | |
| Jack Baxley | ... | Guard (uncredited) | |
| Steve Benton | ... | Policeman (uncredited) | |
| Vernon Cansino | ... | Man (uncredited) | |
| Doris Chan | ... | Chinese Girl (uncredited) | |
| George Chirello | ... | Man (uncredited) | |
| Wong Chung | ... | Li (uncredited) | |
| Eddie Coke | ... | Policeman (uncredited) | |
| Tom Coleman | ... | Courtroom Spectator (uncredited) | |
| Peter Cusanelli | ... | Bartender (uncredited) | |
| Al Eben | ... | Policeman (uncredited) | |
| Edythe Elliott | ... | Old Lady (uncredited) | |
| Heenan Elliott | ... | Guard (uncredited) | |
| John Elliott | ... | Court Clerk (uncredited) | |
| Errol Flynn | ... | Man in Background Outside of Cantina (uncredited) | |
| Joseph Granby | ... | Police Lieutenant (uncredited) | |
| Robert Gray | ... | Reporter (uncredited) | |
| Alvin Hammer | ... | Reporter (uncredited) | |
| Maynard Holmes | ... | Truck Driver (uncredited) | |
| Tiny Jones | ... | Courtroom Spectator (uncredited) | |
| Byron Kane | ... | Reporter (uncredited) | |
| Milton Kibbee | ... | Policeman (uncredited) | |
| Preston Lee | ... | Chinese Man (uncredited) | |
| Grace Lem | ... | Chinese Woman (uncredited) | |
| Billy Louie | ... | Chinese Girl (uncredited) | |
| Charles Meakin | ... | Jury Foreman (uncredited) | |
| Philip Morris | ... | Port Steward / Officer Peters (uncredited) | |
| Sam Nelson | ... | Captain of Yacht Circe (uncredited) | |
| Mary Newton | ... | Reporter (uncredited) | |
| Joe Palma | ... | Cab Driver (uncredited) | |
| Edward Peil Sr. | ... | Guard (uncredited) | |
| Gerald Pierce | ... | Waiter (uncredited) | |
| Joe Recht | ... | Garage Attendant (uncredited) | |
| Mabel Smaney | ... | Woman (uncredited) | |
| Harry Strang | ... | Policeman (uncredited) | |
| Norman Thomson | ... | Policeman (uncredited) | |
| Arthur Tovey | ... | Courtroom Spectator (uncredited) | |
| Philip Van Zandt | ... | Policeman / Thug (uncredited) | |
| Dorothy Vaughan | ... | Old Woman (uncredited) | |
| Blackie Whiteford | ... | Big Coke Drinker with Vest (uncredited) | |
| Richard Wilson | ... | Assistant District Attorney (uncredited) | |
| Jean Wong | ... | Ticket Seller (uncredited) | |
Directed by | |||
| Orson Welles | (uncredited) | ||
Writing credits | ||
| Sherwood King | (novel "If I Die Before I Wake") | |
| Orson Welles | (screenplay) | |
| William Castle | uncredited | |
| Charles Lederer | uncredited | |
| Fletcher Markle | uncredited | |
Produced by | |||
| William Castle | .... | associate producer | |
| Orson Welles | .... | producer | |
| Richard Wilson | .... | associate producer | |
| Harry Cohn | .... | executive producer (uncredited) | |
Original Music by | |||
| Heinz Roemheld | |||
Cinematography by | |||
| Charles Lawton Jr. | |||
| Rudolph Maté | (uncredited) | ||
| Joseph Walker | (uncredited) | ||
Film Editing by | |||
| Viola Lawrence | |||
Art Direction by | |||
| Sturges Carne | |||
| Stephen Goosson | (as Stephen Goossón) | ||
Set Decoration by | |||
| Wilbur Menefee | |||
| Herman N. Schoenbrun | (as Herman Schoenbrun) | ||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Clay Campbell | .... | makeup artist (uncredited) | |
| Helen Hunt | .... | hair stylist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sam Nelson | .... | assistant director | |
| William Castle | .... | second unit director (uncredited) | |
Sound Department | |||
| Lodge Cunningham | .... | sound recordist | |
Special Effects by | |||
| Lawrence W. Butler | .... | special effects (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunts (uncredited) | |
| John Daheim | .... | stunts (uncredited) | |
| Terry Wilson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Donald Ray Cory | .... | assistant camera (uncredited) | |
| Edward Cronenweth | .... | still photographer (uncredited) | |
| Irving Klein | .... | camera operator (uncredited) | |
| Richard H. Kline | .... | assistant camera (uncredited) | |
| Don Murphy | .... | grip (uncredited) | |
| Ned Scott | .... | still photographer (uncredited) | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Herschel Burke Gilbert | .... | orchestrator (uncredited) | |
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Dorothy B. Cormack | .... | script supervisor (uncredited) | |
| Errol Flynn | .... | technical advisor: yacht scenes (uncredited) | |
| Virginia Van Upp | .... | story continuity (uncredited) | |
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| A Place in the Sun | The Departed | Strangers on a Train | Bon voyage | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Okay, the chemistry between Welles and Hayworth was not great, and, to put an end to the "even though they were married" lines, they divorced two weeks after the release of the film. However, as a film-noir and a piece of Orson Welles' body of work, this film is top notch.
Its biggest flaw, besides Welles accent, is that the beginning of the movie is very slow. However, it is necessary for the ending to payoff. It's unfortunate that the current world is moving at light speed, and that movies are chastised for taking ample time to develop their world. A modern example of length being put to good use is The Count of Monte Cristo. Still, that film doesn't compare to "Shanghai".
Once the trial, which is often hilarious, begins, the movie reaches the heights of greatness. It all climaxes with a visually stunning ending in the mirror room of a fun house and a fantastic performance by Hayworth.
The film sticks with you.
Also recommended: The Third Man