IMDb > The Lady from Shanghai (1947)
The Lady from Shanghai
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The Lady from Shanghai (1947) More at IMDbPro »

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The Lady from Shanghai -- Trailer for this murder mystery starring Rita Hayworth

Overview

User Rating:
7.7/10   15,565 votes »
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Down 2% in popularity this week. See why on IMDbPro.
Writers:
Sherwood King (novel)
Orson Welles (screenplay)
(more)
Contact:
View company contact information for The Lady from Shanghai on IMDbPro.
Release Date:
9 June 1948 (USA) See more »
Tagline:
One who keeps his nature keeps his original nature in the end. See more »
Plot:
Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot. Full summary » | Add synopsis »
Plot Keywords:
NewsDesk:
(44 articles)
Film Review: 'The Lady from Shanghai'
 (From CineVue. 27 July 2014, 1:57 PM, PDT)

Daily | Goings On | Noir, Jones, the Blacklist
 (From Keyframe. 26 July 2014, 7:23 AM, PDT)

Park Circus to handle Icon titles
 (From ScreenDaily. 18 June 2014, 4:38 AM, PDT)

User Reviews:
Good film, Great ending See more (159 total) »

Cast

  (in credits order) (verified as complete)

Rita Hayworth ... Elsa Bannister

Orson Welles ... Michael O'Hara

Everett Sloane ... Arthur Bannister
Glenn Anders ... George Grisby

Ted de Corsia ... Sidney Broome (as Ted De Corsia)
Erskine Sanford ... Judge
Gus Schilling ... Goldie

Carl Frank ... District Attorney Galloway
Louis Merrill ... Jake Bjornsen
Evelyn Ellis ... Bessie
Harry Shannon ... Cab Driver
rest of cast listed alphabetically:
William Alland ... Reporter (uncredited)
Jessie Arnold ... Schoolteacher at Aquarium / Courtroom Spectator (uncredited)
Wong Artarne ... Ticket Taker (uncredited)
Jack Baxley ... Guard (uncredited)
Steve Benton ... Policeman (uncredited)
Vernon Cansino ... Man (uncredited)
Doris Chan ... Chinese Girl (uncredited)
George Chirello ... Man (uncredited)
Wong Chung ... Li (uncredited)
Eddie Coke ... Policeman (uncredited)
Tom Coleman ... Courtroom Spectator (uncredited)
Peter Cusanelli ... Bartender (uncredited)
Al Eben ... Policeman (uncredited)
Edythe Elliott ... Old Lady (uncredited)
Heenan Elliott ... Guard (uncredited)
John Elliott ... Court Clerk (uncredited)
Charles Ferguson ... Man in Courthouse (uncredited)

Errol Flynn ... Man in Background Outside of Cantina (uncredited)
Joseph Granby ... Police Lieutenant (uncredited)
Robert Gray ... Reporter (uncredited)

Alvin Hammer ... Reporter (uncredited)
Maynard Holmes ... Truck Driver (uncredited)
Tiny Jones ... Courtroom Spectator (uncredited)
Byron Kane ... Reporter (uncredited)
Milton Kibbee ... Policeman (uncredited)
Preston Lee ... Chinese Man (uncredited)
Grace Lem ... Chinese Woman (uncredited)
Billy Louie ... Chinese Girl (uncredited)
Charles Meakin ... Jury Foreman (uncredited)
Philip Morris ... Port Steward / Officer Peters (uncredited)
Sam Nelson ... Captain of Yacht Circe (uncredited)
Mary Newton ... Reporter (uncredited)
Joe Palma ... Cab Driver (uncredited)
Edward Peil Sr. ... Guard (uncredited)
Gerald Pierce ... Waiter (uncredited)
Joe Recht ... Garage Attendant (uncredited)
Mabel Smaney ... Woman (uncredited)
Harry Strang ... Policeman (uncredited)
Norman Thomson ... Policeman (uncredited)
Arthur Tovey ... Courtroom Spectator (uncredited)
Philip Van Zandt ... Policeman / Thug (uncredited)
Dorothy Vaughan ... Old Woman (uncredited)
Blackie Whiteford ... Big Coke Drinker with Vest (uncredited)
Richard Wilson ... Assistant District Attorney (uncredited)
Jean Wong ... Ticket Seller (uncredited)

Directed by
Orson Welles (uncredited)
 
Writing credits
Sherwood King (novel "If I Die Before I Wake")

Orson Welles (screenplay)

William Castle  uncredited
Charles Lederer  uncredited
Fletcher Markle  uncredited

Produced by
William Castle .... associate producer
Orson Welles .... producer
Richard Wilson .... associate producer
Harry Cohn .... executive producer (uncredited)
 
Original Music by
Heinz Roemheld 
 
Cinematography by
Charles Lawton Jr. 
Rudolph Maté (uncredited)
Joseph Walker (uncredited)
 
Film Editing by
Viola Lawrence 
 
Art Direction by
Sturges Carne 
Stephen Goosson  (as Stephen Goossón)
 
Set Decoration by
Wilbur Menefee 
Herman N. Schoenbrun  (as Herman Schoenbrun)
 
Costume Design by
Jean Louis (gowns)
 
Makeup Department
Clay Campbell .... makeup artist (uncredited)
Helen Hunt .... hair stylist (uncredited)
Robert J. Schiffer .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Sam Nelson .... assistant director
William Castle .... second unit director (uncredited)
 
Sound Department
Lodge Cunningham .... sound recordist
 
Special Effects by
Lawrence W. Butler .... special effects (uncredited)
 
Stunts
Paul Baxley .... stunts (uncredited)
John Daheim .... stunts (uncredited)
Terry Wilson .... stunts (uncredited)
 
Camera and Electrical Department
Donald Ray Cory .... assistant camera (uncredited)
Edward Cronenweth .... still photographer (uncredited)
Irving Klein .... camera operator (uncredited)
Richard H. Kline .... assistant camera (uncredited)
Don Murphy .... grip (uncredited)
Ned Scott .... still photographer (uncredited)
 
Music Department
Morris Stoloff .... musical director (as M.W. Stoloff)
Herschel Burke Gilbert .... orchestrator (uncredited)
Arthur Morton .... orchestrator (uncredited)
 
Other crew
Dorothy B. Cormack .... script supervisor (uncredited)
Errol Flynn .... technical advisor: yacht scenes (uncredited)
Virginia Van Upp .... story continuity (uncredited)
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
87 min | UK:92 min (original release) | West Germany:81 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | Germany:12 (f: fr,16) | Sweden:15 | UK:PG | UK:A (original rating) (1948) | USA:Not Rated | USA:Approved (certificate #12111)

Did You Know?

Trivia:
Near the end of shooting, Orson Welles told Columbia executives that he wanted a complete set repainted on a Saturday for shooting on Monday. Columbia exec Jack Fier told Welles it was impossible, because of union rules and the expense that would be incurred by calling in a crew of painters to work on a weekend. Welles and several friends broke into the paint department that Saturday and repainted the set themselves, and when they were finished they hung a banner on the set that read "The Only Thing We Have to Fear is Fier Himself". When the union painters arrived at work on Monday and saw that the set had been repainted by someone else, they refused to work, threw a picket line around the studio and threatened to stay on strike until a union crew was paid triple time for the work that had been done (which was why Fier had refused to authorize the work in the first place). To placate the union, Fier agreed to pay them what they wanted but put the cost on Welles' personal bill. In addition, he had the union painters paint a banner saying "All's Well That Ends Welles".See more »
Goofs:
Revealing mistakes: When Mrs. Bannister is lunging for the exit in the mirrored room, the "broken glass" in the foreground stays in frame as the camera pans to the right, spoiling the illusion of a cracked window.See more »
Quotes:
Michael O'Hara:[First lines] When I start out to make a fool of myself, there's very little can stop me. If I'd known where it would end, I'd never let anything start... if I'd been in my right mind, that is. But once I'd seen her, I was not in my right mind for some time.See more »
Movie Connections:
Referenced in Silhouettes: The James Bond Titles (2000) (V)See more »
Soundtrack:
Please Don't Kiss MeSee more »

FAQ

How much sex, violence, and profanity are in this movie?
Is "The Lady from Shanghai" based on a book?
Who is the lady from Shanghai?
See more »
55 out of 74 people found the following review useful.
Good film, Great ending, 10 August 2004
Author: jkerr216

Okay, the chemistry between Welles and Hayworth was not great, and, to put an end to the "even though they were married" lines, they divorced two weeks after the release of the film. However, as a film-noir and a piece of Orson Welles' body of work, this film is top notch.

Its biggest flaw, besides Welles accent, is that the beginning of the movie is very slow. However, it is necessary for the ending to payoff. It's unfortunate that the current world is moving at light speed, and that movies are chastised for taking ample time to develop their world. A modern example of length being put to good use is The Count of Monte Cristo. Still, that film doesn't compare to "Shanghai".

Once the trial, which is often hilarious, begins, the movie reaches the heights of greatness. It all climaxes with a visually stunning ending in the mirror room of a fun house and a fantastic performance by Hayworth.

The film sticks with you.

Also recommended: The Third Man

Was the above review useful to you?
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Message Boards

Discuss this movie with other users on IMDb message board for The Lady from Shanghai (1947)
Recent Posts (updated daily)User
TRIVIA: What ethnicity is Orson Welle's CHARACTER in this movie??? weirdal_27-1
Do you think people are innately wicked? Homer_Mandrill
Why did he do it? inf0man
The courtroom scenes. Mkeydude
Shanghai on IMDB Top 50 Film Noir alexkalognomos
Was Welles Separated at Birth from... Gluck-3
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