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The Lady from Shanghai (1947)

Not Rated | | Crime, Drama, Film-Noir | 9 June 1948 (USA)
Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Director:

(uncredited)

Writers:

(story based on a novel by), (screenplay)
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Cast

Complete credited cast:
...
...
...
Glenn Anders ...
...
Sidney Broome (as Ted De Corsia)
Erskine Sanford ...
Judge
Gus Schilling ...
Goldie
...
Louis Merrill ...
Jake Bjornsen
Evelyn Ellis ...
Bessie
Harry Shannon ...
Cab Driver
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Storyline

Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

One who keeps his nature keeps his original nature in the end. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 June 1948 (USA)  »

Also Known As:

Black Irish  »

Box Office

Budget:

$2,300,000 (estimated)

Opening Weekend:

$7,927 (USA) (28 August 1998)

Gross:

$7,927 (USA) (28 August 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original release)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Orson Welles originally wanted Barbara Laage for the lead. See more »

Goofs

In the courtroom scene, Mrs Bannister's maid is sitting behind her when she is called to testify, but in the next shot, when she gets up, there is a man sitting there. See more »

Quotes

Arthur Bannister: Killing you is killing myself. But, you know, I'm pretty tired of both of us.
See more »

Crazy Credits

There is no director credit. Welles' main credit reads "Screen Play and Production Orson Wells". See more »

Connections

Referenced in Enter the Dragon (1973) See more »

Soundtracks

Amado Mio
(uncredited)
Written by Allan Roberts and Doris Fisher
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Orson Welles takes on a pulp-noir novel and, at the least, makes it his own
12 January 2004 | by (United States) – See all my reviews

As I watched one of Orson Welles' last contributions to Hollywood as a filmmaker, I knew I was watching a great movie unfold, though at times I did not know why. The story in The Lady from Shanghai has the prime elements of a film-noir: average-Joe lead, femme fatale, conspicuous supporting characters, and a comprehensible if somewhat convoluted plot structure. It is an entertaining ride, and it's filled to the brim with Welles' unique gifts as a director, but there are scenes that tend to just not work, or don't feel complete in what was Welles' full vision (the latter is unfortunately too true- executive producer Harry Cohn and the Columbia execs are to blame for that).

Welles co-stars with his then wife, the profoundly gorgeous Rita Hayworth, as Mike O'Hara, an Irish worker who can and does get angry at the right people. Hayworth is Mrs. Bannister, married to Mr. Bannister (Everett Sloane, who played Mr. Bernstein in Citizen Kane), who is accompanied by a friend Mr. Grisby (Glenn Anders, who has great control in his eyes). They want to go sailing on their yacht and take O'Hara along for the ride, and at first he's reluctant, but agrees since he's falling for the married Mrs. As their journey unfolds, O'Hara finds that Bannister and Grisby are not pleasant to be around, and more so with Grisby, who at first seems out of his gourd. Yet as the plot unfolds, O'Hara is drawn into a scam that Grisby is planning for insurance money, with results that I dare not reveal (although they have been discussed over and over by others).

Whatever liabilities pop up here and there in the mystery part of the story (and those few noticeable moments where shots were studio dictated), the performances and the look of the film are what remains striking after over fifty-five years. Though he doesn't have the terrific Greg Tolland (Kane's DP) at his side, dependable Charles Lawton Jr. assists Welles in creating an atmosphere that is both elegant and stark, covered in shadows, deep focus, low angles, the works. A particular accomplishment is the fun-house mirror scene, which is merely a highlight among others. Welles himself is always dependable as an actor- even if his accent isn't anything special- and Hayworth herself makes a scene a little more lush, despite her path in the story.

The Lady from Shanghai is worth checking out, especially for Welles, Hayworth, or film-noir buffs (fans of the Coen brothers might find this fascinating as well). It may just take a little while, repeat viewings (as was for Touch of Evil), for the underlying motives in the plot to sink in.


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