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The Lady from Shanghai (1947)

Not Rated | | Crime, Drama, Film-Noir | 9 June 1948 (USA)
Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Director:

(uncredited)

Writers:

(story based on a novel by), (screenplay)
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Cast

Complete credited cast:
...
...
...
Glenn Anders ...
...
Sidney Broome (as Ted De Corsia)
Erskine Sanford ...
Judge
Gus Schilling ...
Goldie
...
Louis Merrill ...
Jake Bjornsen
Evelyn Ellis ...
Bessie
Harry Shannon ...
Cab Driver
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Storyline

Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

One who keeps his nature keeps his original nature in the end. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 June 1948 (USA)  »

Also Known As:

Black Irish  »

Box Office

Budget:

$2,300,000 (estimated)

Opening Weekend:

$7,927 (USA) (28 August 1998)

Gross:

$7,927 (USA) (28 August 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original release)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Mexico shoot was plagued by a number of problems, many of them detailed by producer William Castle in his diary. During the day the temperature was usually blisteringly hot, and at least once Rita Hayworth collapsed from the heat. At night millions of poisonous insects swarmed around the arc lights, often blotting them out. One insect caused a substantial delay in shooting when it bit Orson Welles and his eye swelled shut to almost three times its normal size. See more »

Goofs

At the beach picnic, whilst O'Hara is talking to Bannister recounting the shark story, we see Bannister continually swinging back and forth in a hammock, but in a couple of shots from different angles, the hammock is suddenly completely stationary, then suddenly back to a swinging motion. See more »

Quotes

Arthur Bannister: Killing you is killing myself. But, you know, I'm pretty tired of both of us.
See more »

Crazy Credits

There is no director credit. Welles' main credit reads "Screen Play and Production Orson Wells". See more »

Connections

Featured in Raoul Walsh and Errol Flynn (2002) See more »

Soundtracks

Please Don't Kiss Me
by Allan Roberts and Doris Fisher
Performed by Rita Hayworth (dubbed by Anita Ellis) (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Welles' camera seemed almost to caress Rita Hayworth...

After all, you do not go to an Orson Welles movie to see a nice simple little plot and a burnishing of the image of a happy-ever-after star…

You go to see theatrically heightened characters locked in conflict against colorful and unusual settings, lighted and scored imaginatively, photographed bravely, and the whole thing peppered with unexpected details of surprise that a wiser and duller director would either avoid or not think of in the first place…

As usual, as well as directing, Welles wrote the script and he also played the hero – a young Irish seaman who had knocked about the world and seen its evil, but still retained his clear-eyed trust in the goodness of others… Unfortunately for him, he reposed this trust in Rita Hayworth, whose cool good looks concealed a gloomy past and murderous inclinations for the future… She was married without love, to an impotent, crippled advocate, acted like a malevolent lizard by the brilliant Everett Sloane…

There is a youthful romanticism underlying it all, and this quality came into exuberant play in "The Lady from Shanghai." Before the inevitable happened, Welles escaped – to a final triangular showdown in a hall of mirrors, which has become one of the classic scenes of the post-war cinema …

Welles did not miss a chance throughout the whole film to counterpoint the words and actions with visual detail which enriched the texture and heightened the atmosphere… His camera seemed almost to caress Rita Hayworth as the sun played with her hair and her long limbs while she playfully teased the young seaman into her web…


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