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The Lady from Shanghai (1947)

 -  Crime | Drama | Film-Noir  -  9 June 1948 (USA)
7.7
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Ratings: 7.7/10 from 15,855 users  
Reviews: 158 user | 75 critic

Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Director:

(uncredited)

Writers:

(novel), (screenplay), 3 more credits »
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Cast

Complete credited cast:
...
...
...
Glenn Anders ...
...
Sidney Broome (as Ted De Corsia)
Erskine Sanford ...
Judge
Gus Schilling ...
Goldie
...
Louis Merrill ...
Jake Bjornsen
Evelyn Ellis ...
Bessie
Harry Shannon ...
Cab Driver
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Storyline

Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Rosalie, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Rosalie. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

You'll forget there ever was a woman like Gilda...when you meet the Lady From Shanghai! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 June 1948 (USA)  »

Also Known As:

Black Irish  »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$7,927 (USA) (28 August 1998)

Gross:

$7,927 (USA) (28 August 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original release)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Orson Welles thought of Everett Sloane as primarily a radio actor who didn't move particularly well on film, so he introduced crutches to the character. See more »

Goofs

When Mrs. Bannister is lunging for the exit in the mirrored room, the "broken glass" in the foreground stays in frame as the camera pans to the right, spoiling the illusion of a cracked window. See more »

Quotes

Arthur Bannister, Criminal Lawyer: So money doesn't interest you, are you independently wealthy?
Michael O'Hara: I'm independent.
Arthur Bannister, Criminal Lawyer: Of money?
See more »

Connections

Edited into Final Cut: Hölgyeim és uraim (2012) See more »

Soundtracks

Please Don't Kiss Me
Written by Allan Roberts and Doris Fisher
Performed by Rita Hayworth (dubbed by Anita Ellis) (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Mirror, mirror...
1 April 2004 | by (New York) – See all my reviews

One can only imagine the film Mr. Welles might have finished without the interference of the studio! This film is a flawed Welles, but worth every minute of it because one can see the greatness of perhaps America's best motion picture director of all times!

We can see the toll it took on Orson Welles the filming of this movie. The story has a lot of holes in it, perhaps because of the demands of the studio executives that didn't trust the director.

It is curious by reading some of the opinions submitted to IMDB that compare Orson Welles with the Coen brothers, Roman Polanski, even Woody Allen, when it should be all of those directors that must be regarded as followers of the great master himself. No one was more original and creative in the history of American cinema than Mr. Welles. Lucky are we to still have his legacy either in retrospective looks such as the one the Film Forum in New York just ended, or his films either on tape or DVD form.

Rita Hayworth was never more lovingly photographed than here. If she was a beauty with her red hair, as a blonde, she is just too stunning for words. Everett Sloan and Glenn Anders made an excellent contribution to the movie.

The only thing that might have made this film another masterpiece to be added to Orson Welles body of work, was his own appearance in it. Had he concentrated in the directing and had another actor interpret Michael O'Hara, a different film might have been achieved altogether. Orson Welles has to be credited for being perhaps a pioneer in taking the camera away from the studio lot into the street. The visuals in this film are so amazing that we leave the theater after seeing this movie truly impressed for the work, the vision and the talent he gave us.


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