| Photos (See all 17 | slideshow) | Videos (see all 4) |
| Lamberto Maggiorani | ... | Antonio Ricci | |
| Enzo Staiola | ... | Bruno Ricci | |
| Lianella Carell | ... | Maria Ricci | |
| Gino Saltamerenda | ... | Baiocco | |
| Vittorio Antonucci | ... | The Thief | |
| Giulio Chiari | ... | The Beggar | |
| Elena Altieri | ... | The Charitable Lady | |
| Carlo Jachino | ... | A Beggar | |
| Michele Sakara | ... | Secretary of the Charity Organization | |
| Emma Druetti | |||
| Fausto Guerzoni | ... | Amateur Actor | |
| rest of cast listed alphabetically: | |||
| Giulio Battiferri | ... | Citizen Who Protects the Real Thief (uncredited) | |
| Ida Bracci Dorati | ... | La Santona (uncredited) | |
| Nando Bruno | ... | (uncredited) | |
| Eolo Capritti | ... | (uncredited) | |
| Memmo Carotenuto | ... | (uncredited) | |
| Giovanni Corporale | ... | (uncredited) | |
| Sergio Leone | ... | A Seminary Student (uncredited) | |
| Mario Meniconi | ... | Meniconi, the Street Sweeper (uncredited) | |
| Massimo Randisi | ... | Rich Kid in Restaurant (uncredited) | |
| Checco Rissone | ... | Guard in Piazza Vittorio (uncredited) | |
| Peppino Spadaro | ... | Police Officer (uncredited) | |
| Umberto Spadaro | ... | (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Luigi Bartolini | (novel) | |
| Cesare Zavattini | writer & | |
| Suso Cecchi D'Amico | (as Suso D'Amico) & | |
| Vittorio De Sica | writer & | |
| Oreste Biancoli | writer & | |
| Adolfo Franci | writer & | |
| Gerardo Guerrieri | writer | |
Produced by | |||
| Giuseppe Amato | .... | producer | |
| Vittorio De Sica | .... | producer (uncredited) | |
Original Music by | |||
| Alessandro Cicognini | (also as Cicognini) | ||
Cinematography by | |||
| Carlo Montuori | |||
Film Editing by | |||
| Eraldo Da Roma | |||
Production Design by | |||
| Antonio Traverso | |||
Production Management | |||
| Nino Misiano | .... | production supervisor | |
| Umberto Scarpelli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luisa Alessandri | .... | assistant director | |
| Gerardo Guerrieri | .... | assistant director | |
| Sergio Leone | .... | assistant director (uncredited) | |
Sound Department | |||
| Biagio Fiorelli | .... | sound technician (as Gino Fiorelli) | |
| Bruno Brunacci | .... | sound engineer (uncredited) | |
Camera and Electrical Department | |||
| Mario Montuori | .... | camera operator | |
| Carlo Di Palma | .... | focus puller (uncredited) | |
Music Department | |||
| Willy Ferrero | .... | conductor | |
Other crew | |||
| Joseph Burstyn | .... | distributor | |
| Roberto Moretti | .... | production secretary | |
| Alberto Sordi | .... | voice dubbing (uncredited) | |
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| I Vitelloni | Pianese Nunzio, Fourteen in May | Ossessione | Christ Stopped at Eboli | The Tree of Wooden Clogs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb Italy section |
Vittorio De Sica's ground/heartbreaking motion picture, The Bicycle Thief, is based on a very simple ideal for a story- man against the elements. In this case the elements are of a society that is often cruel and unforgiving, and that a job in post-war Rome is looked on as the luckiest of good luck charms.
Such a man as presented by De Sica is Maggiorani (an actor who really is the type of actor right off the street), a father of a little boy who gets a job putting up movie posters along some walls in Rome. To do this he needs a bicycle, or the job will be lost, and he gets one following a pawning of linen sheets. Very soon though, the bicycle is stolen, and from there a sad downward spiral unravels for the man and his son as they scour the streets for the bicycle.
While the score adds basic dramatic tension, everything else on the screen is done to such a pitch of neo-realism it's at times shattering, joyful (scene in the pizzeria the most note-worthy), and with a feeling of day-to-day resonance to those who may have not even felt at or below the poverty level in their lives. Credit due to all parties involved, though I don't think the boy Bruno, played by Staiola, gets nearly enough considering his role as a minor coming of age (that moment after the father and son leave the church nearly brought tears to my eyes). A++