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Bicycle Thieves (1948)

Ladri di biciclette (original title)
Not Rated | | Drama | 13 December 1949 (USA)
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A man and his son search for a stolen bicycle vital for his job.

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Writers:

(story), (novel) | 7 more credits »
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4,126 ( 209)
Top Rated Movies #91 | Nominated for 1 Oscar. Another 18 wins. See more awards »

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Cast

Complete credited cast:
...
...
Lianella Carell ...
Gino Saltamerenda ...
Vittorio Antonucci ...
The Thief
Giulio Chiari ...
Elena Altieri ...
The Charitable Lady
Carlo Jachino ...
A Beggar
Michele Sakara ...
Secretary of the Charity Organization
Emma Druetti
Fausto Guerzoni ...
Amateur Actor
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Storyline

Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. Written by jolusoma

Plot Summary | Plot Synopsis

Plot Keywords:

bicycle | job | thief | search | poster | See All (211) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 December 1949 (USA)  »

Also Known As:

Bicycle Thieves  »

Box Office

Budget:

$133,000 (estimated)

Opening Weekend:

$11,845 (USA) (2 October 1998)

Gross:

$332,930 (USA) (3 September 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Lianella Carell was a journalist who came to interview Vittorio De Sica when they were looking for someone to play the role of Maria. But, when De Sica saw her, he instantaneously decided that she would play Maria for the movie. See more »

Quotes

La Santona: [Addressing a young man seated before her, apparently seeking advice on his love life] You must plant your seeds in another field. Do you understand what I mean?
Young man seeking advice: No, I don't understand.
La Santona: It's simple, my boy. What good is planting seeds if the soil rejects them? You plant, but don't gather. Understand?
Young man seeking advice: I haven't understood a word.
La Santona: [Becoming impatient] She doesn't love you! Forget her!
La Santona: [Pausing for effect] Dear boy, you're very ugly. Yes, ugly. There are so many other women... Go and plow another ...
See more »

Connections

Referenced in Scorsese on Scorsese (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Heartfelt Drama of Post WWII Poverty a Must-See...
16 April 1999 | by (Philadelphia, PA) – See all my reviews

The Italian neo-realist film movement began around the end of WWII with Roberto Rossellini's OPEN CITY in 1946. It is defined and encapsulated by this striking film directed by Vittorio De Sica. THE BICYCLE THIEF is the best of a group of films that depicted the hardship and despair that Europeans, specifically Italians, went through after the death and destruction of the war. The economy was horrible, and the towns and cities were half-destroyed and decaying. Rome is the location for THE BICYCLE THIEF and De Sica shoots the city in grainy black and white with non-professional actors to get a simple, yet unbearingly emotional point across. A simple thing such as a bike can be someone's entire world at that time and losing it means doing something irrational or perhaps necessary.

The lead in the film is played by Lamberto Maggiorani who seems to be a very good actor. He is not an actor, however, and maybe this is why the film hits its mark so well and comes across so realistically. Maggiorani is of this difficult world and his brooding face is a clear indication of this. His job is to plaster film posters up on the walls of buildings all over Rome. He even hangs a picture that symbolizes the absolute opposite of the misery surrounding him. Rita Hayworth from GILDA is on the walls all over the city, a sign of joy to some, a representation of their own lowly status to others.

When the bicycle is actually stolen, the "title" character is sought after by Maggiorani and his young son (Enzo Staiola), a little kid with so much acting ability, you swear this must be a documentary. A grueling search throughout Rome has the essential parts of the movie, because we see up close the actual people and places the neo-realist film movement came to represent. It is a small, sad world they live in and the bike has to be found so that they can live. The father is put to the ultimate test in front of his son. Will he do the honorable thing or will he do what his mind and heart know is only possible? These are the tense moments of the film's climax.

There is a lot of THE BICYCLE THIEF in Benigni's LIFE IS BEAUTIFUL and some obvious comparisons have been drawn because of the father-son relationship. They are worthy of comparison and have equal artistic prowess. What is different about THIEF is the level of intensity maintained throughout. I felt the key element was the music by Alessandro Cicognini, a simple horn that plays so tragically that it is a main character in the picture. What De Sica does here, as well as other neo-realist directors (Rossellini, Fellini), is create for American audiences a powerful counterpoint to what we are used to. An honest, non-corporate portrait of the struggle for life and self-respect. THE BICYCLE THIEF is one of the finest films ever made.

RATING: 10 of 10


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