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Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. Written by
Even though Lamberto Maggiorani remained uncomfortable with the mechanics of filmmaking and acting, he nevertheless began to feel a merging of his own identity with that of his character Antonio. Vittorio De Sica later stated that Maggiorani "confessed to me that he had experienced this sensation, acutely and poignantly, in the last scene in the film: Antonio, in a moment of revolt against his cruel fate, attempts robbery and is arrested and maltreated in front of his son. When, through his tears, Lamberto Maggiorani felt his hand seized by little Staiola, it seemed to him that it really was his son who took his hand, and his tears became real tears of burning shame. In a few months of patient effort, I had brought this man to the point of being able to forget himself in his role and to enter fully into the sad story." See more »
Watch the film with your focus on the son, not the father. Watch what happens to the boy, what he sees, how he is influenced, his point of view. The father is so preoccupied with the bicycle he fails to see what is happening to his son. This is the strength of the film. Watch the boy.
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