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Bicycle Thieves (1948)
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Bicycle Thieves (1948)
"Ladri di biciclette" (original title)

Not Rated  |   |  Drama  |  13 December 1949 (USA)
8.4
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Ratings: 8.4/10 from 83,028 users  
Reviews: 221 user | 126 critic

A man and his son search for a stolen bicycle vital for his job.

Director:

Writers:

(story), (novel), 7 more credits »
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Cast

Complete credited cast:
...
Enzo Staiola ...
Lianella Carell ...
Gino Saltamerenda ...
Vittorio Antonucci ...
The Thief
Giulio Chiari ...
Elena Altieri ...
The Charitable Lady
Carlo Jachino ...
A Beggar
Michele Sakara ...
Secretary of the Charity Organization
Emma Druetti
Fausto Guerzoni ...
Amateur Actor
Edit

Storyline

Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. Written by jolusoma

Plot Summary | Plot Synopsis

Plot Keywords:

bicycle | job | thief | search | poster | See All (212) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

13 December 1949 (USA)  »

Also Known As:

Bicycle Thieves  »

Box Office

Opening Weekend:

$11,845 (USA) (2 October 1998)

Gross:

$332,930 (USA) (3 September 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Lamberto Maggiorani was very shy and embarrassed throughout the shooting as he had no actor training or would often become anxious when he couldn't do what Vittorio De Sica wanted him to do. The director, however, did not coddle him because he knew Maggiorani's real anxiety and nervousness before the camera would work well for his on-screen character. De Sica would later praise Maggiorani, saying "The way he moved, the way he sat down, his gestures with his hands hardened from work, the hands of a working man, not of an actor...I made him promise that after the film he would forget the cinema and would go back to his job." But during the filming, De Sica would still send a black limousine to pick Maggiorani up and bring him to the day's location. See more »

Quotes

Antonio Ricci: Your mother and her prayers can't help us.
See more »

Connections

Referenced in Modern Family: The Bicycle Thief (2009) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Powerful and dramatic
1 August 2004 | by (Milwaukee, WI) – See all my reviews

It is post-war Rome and much of the city's residents are impoverished and desperate for work. One man named Ricci who haunts the job lines day after day to provide for his wife and two children, when suddenly his name is called for a well-paying city job. The only catch is that he needs a bicycle for the job, and he has just pawned his bicycle in order to feed his family. Thus begins `The Bicycle Thief', Vittorio de Sica's gritty study in realism. Ricci and his wife sell the sheets off of their beds to get the bicycle back, only to have the bicycle stolen on his first day on the job. In order to keep the job, he and his young son walk around Rome, desperate to find the thief, and more importantly, the bicycle before his next day of work.

de Sica chose non-actors to portray the characters in the film, favoring a further realistic vision by casting amateurs. The result is remarkable, because the pain and emotions conveyed are so true. The relationship between father and son is also compelling and endearing, in that for the most part, Ricci treats his son as an equal, letting him in on his innermost thoughts and fears, until the end, when a particular event causes him to be ashamed, and the roles become defined once again.

`The Bicycle Thief' personifies the refreshing fact that European cinema was more daring and also true in their reaction to post-war life. While America was trying to paint a heavy coat of rosy paint on the times by churning out the saccharine MGM musicals by the dozen, Europe was showing that the effects of a war fought on their home turf did not inspire moments of spontaneously breaking into song, or a choreographed dance number, rather life pretty much sucked, but survival, as difficult and ugly as it can be, is most important. `The Bicycle Thief' has been a critical favorite for decades, and for good reason. It is a must-see film for any cinephile.

--Shelly


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