Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ... See full summary »
1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Tony Rome is a Miami based detective who while diving in the ocean finds the body of a young woman. He is hired by Gronsky to find her killer. Tony has to sift through a stack of suspects, ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »
Ricardo, son of a mexican bandit, becomes against his will a bandit. He falls in love with Theresa, the daughter of the governor, who is expecting tax collectors from spain. Ricardo sees a good chance there. Written by
Stephan Eichenberg <email@example.com>
Frank Sinatra did not want to make this movie, feeling that he was not right for the part. The studio, anxious to build him up as a leading man, forced him to be in it. He stated later that he never watched the film since he was embarrassed by the whole thing. Kathryn Grayson likewise disliked the film saying that it was her least favorite of all her films. See more »
Perhaps Sinatra's worst film--and that includes some stiff competition...
A klutzy young man returns West after being schooled in the hotel business via Boston; he quickly learns his friends in Spanish-colonized Old California expect him to fill his deceased father's shoes instead--that of a romantic thief known for kissing his female victims after robbing them. Colorful but silly M-G-M production has a great deal of talent before and behind the camera, but it never takes off. This might have been fun, second-string material for Abbott & Costello, but Frank Sinatra looks lost and embarrassed in the lead. Combination of raucous comedy and musical interludes are hindered by the poor staging (Sinatra is photographed singing at one point in a mirror, but one doesn't concentrate on his performance so much as noticing how odd the star appears reflected in this way!). Kathryn Grayson is the Governor's daughter who falls for Frank, and her high soprano trilling turns her singing scenes into self-parody. Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless. * from ****
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