Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Ricardo, son of a mexican bandit, becomes against his will a bandit. He falls in love with Theresa, the daughter of the governor, who is expecting tax collectors from spain. Ricardo sees a good chance there. Written by
Stephan Eichenberg <email@example.com>
Frank Sinatra did not want to make this movie, feeling that he was not right for the part. The studio, anxious to build him up as a leading man, forced him to be in it. He stated later that he never watched the film since he was embarrassed by the whole thing. Kathryn Grayson likewise disliked the film saying that it was her least favorite of all her films. See more »
Perhaps the director was trying for another PIRATE (Good Garland and Kelly musical) -- but this lame musical epoch falls flat. Sinatra and Kathryn Graysons voices do not blend well -- and their chemistry together lacks spark. The premise of Sinatra as a sweet guy who tries to impersonate his late "bandito" father is okay, but he seems awkward in the role. What's amazing and wonderful here, is how Sinatra can take a rather insipid song and make it seem special -- his phrasing and eloquence as a singer make you want to hear it again. When Grayson sings the same songs it's hard to believe she's not singing something entirely different and not nearly as interesting. She has her big moment with "Love Is Where You Find It" which suits her perfectly and shows off her abilities. The photography is lucious and both stars look appealing as do the costumes and sets. Co-stars Mildred Natwick and J. Carroll Nash put lots of energy into making the impossible work. Aside from Sinatra's singing there is a strange menage-a-tois dance with Ricardo Montalban, Cyd Charisse and Ann Miller. It's fascinating and weird. Montalban and Charisse were a wonderful dancing team and this number is a real oddity.
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