Captain Tom Reynolds and his band of skilled O.S.S. operatives are in WWII Burma to train the Kachin natives in modern warfare. But jungle combat, particularly against a Japanese army as ... See full summary »
The young Mexican Pepe's beloved horse is sold to Hollywood star Ted Holt, leading to Pepe's journey to Hollywood to get the horse back, and Pepe's encounter with half the stars working in Hollywood at the time.
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Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs.
Ricardo, son of a mexican bandit, becomes against his will a bandit. He falls in love with Theresa, the daughter of the governor, who is expecting tax collectors from spain. Ricardo sees a good chance there. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Frank Sinatra did not want to make this movie, feeling that he was not right for the part. The studio, anxious to build him up as a leading man, forced him to be in it. He stated later that he never watched the film since he was embarrassed by the whole thing. Kathryn Grayson likewise disliked the film saying that it was her least favorite of all her films. See more »
Frank Sinatra as a mild mannered young gent from Boston who arrives in Old California expecting to run an inn, but instead is persuaded to assume the persona of the notorious "kissing bandit" of the title, a leader of highway robbers and a lady killer.
It's a Zorro-esque idea and it might have been an enjoyable romp with better writing and direction. The MGM production values are there, and so is some pretty good music. Walter Plunkett designed the costumes, and Stanley Donen choreographed. Robert Surtees shot it on the lavishly appointed MGM sound stages and on location in the Sierra foothills around Murphy's, California. It's beautiful to look at in Technicolor, and good to listen to, when music is featured. But the story fails to entertain.
The director, Laslo Benedek, whose first credited Hollywood job this was, went on to more prestigious projects like the film version of Death Of A Salesman, as well as the iconic Brando motorcycle picture, The Wild One. Musicals probably weren't his forte.
There's a good supporting cast in the acting department: Mildred Natwick, Mikhail Rasumny, Billy Gilbert, Clinton Sundberg, and J. Carrol Naish (sporting heavy makeup and a heavier accent). In the musical department, there's dancer Sono Osato (from Broadway's On The Town) in a stunning solo, as well as a "Dance Of Fury" from Ricardo Montalban, Ann Miller, and Cyd Charisse that is possibly the highlight of the film.
Kathryn Grayson is Sinatra's love interest; she looks lovely and gets to sing several nice numbers, the most famous of which, Love Is Where You Find It, was also sung that year by Jane Powell in a Pasternak musical, A Date With Judy. It's another highlight.
Frank Sinatra was not well cast in this film, he didn't want to make it and he was right. A fun actor in most of his MGM pictures, and later, a fine actor, he just seems unable to believe the situations he finds himself in, here.
I guess The Kissing Bandit is worth seeing once, but it's not a classic.
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