Fugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.

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Cast

Complete credited cast:
...
...
...
Harry Carter
Lewis L. Russell ...
Tom Widgery
Aminta Dyne ...
Landlady
Grizelda Harvey ...
Mrs. Paton (as Grizelda Hervey)
Jay Novello ...
Sea Captain of Pelicano
Colin Keith-Johnston ...
Judge
Reginald Sheffield ...
Superintendent
Campbell Copelin ...
Publican
Leyland Hodgson ...
Tipster (as Leland Hodgson)
Peter Forbes ...
Young Father
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Storyline

Bill Saunders, disturbed ex-soldier, kills a man in a postwar London pub brawl. Fleeing, he hides out in the apartment of lonely nurse Jane Wharton. Later, despite misgivings about his violent nature, Jane becomes involved with Bill, who resolves to reform. She gets him a job driving a medical supplies truck. But racketeer Harry Carter, who witnessed the killing, wants to use Bill's talents for crime. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

A HUNTED MAN...A LOVE-HAUNTED WOMAN! (original print ad - all caps) See more »


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Details

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Release Date:

30 October 1948 (USA)  »

Also Known As:

The Unafraid  »

Filming Locations:

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Box Office

Budget:

$1,100,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 21, 1949 with Burt Lancaster and Joan Fontaine reprising their film roles. See more »

Goofs

The story takes place in England, where automobiles and trucks are right-hand drive; but the truck Bill drives is left-hand drive. See more »

Quotes

Judge: [to Bill Saunders] ... furthermore, although these appear to be first offenses, in view of the brutal nature of the assault, I have no alternative but to direct that you receive eighteen lashes of the cat-o'-nine-tails.
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Connections

Referenced in Watching the Detectives (2007) See more »

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User Reviews

 
The Unafraid.
5 January 2014 | by (United Kingdom) – See all my reviews

Kiss the Blood Off My Hands is directed by Norman Foster and adapted to screenplay by Leonardo Bercovici and Walter Bernstein from the novel of the same name written by Gerald Butler. It stars Joan Fontaine, Burt Lancaster and Robert Newton. Music is by Miklós Rózsa and cinematography by Russell Metty.

It's a film that has a very up and down relationship among film noir aficionados, which is perfectly understandable. In many ways it's a frustrating viewing experience, because it has some truly great moments and from a visual perspective it's moody personified. In fact the back drops are pure noir dressage, even if the American studio recreation of post war London doesn't exactly look as it should.

Things start brilliantly with a brooding Lancaster accidentally killing the landlord of a public house with one punch, and then subsequently he is pursued through the dank streets of London in a chase sequence of some gusto. Upon entering a bedroom window he is met by a startled Fontaine, and thus begins a love affair between two opposites.

We learn that Lancaster's character is a scarred man from the war, that he was in a Prisoner of War camp, and that he just can't catch a break. Hanging around the vicinity is Newton's cockney low life, who witnessed the killing of the publican and uses this fact to blackmail Lancaster into doing an illegal job for him.

Film is 98% shot at night time, Metty's black and white photography tonally oppressive, this marries up nicely with the trials and tribulations of Lancaster throughout the picture. Fontaine is a radiant foil (this in spite of her suffering morning sickness as she was in early pregnancy), in fact both leading actors work very hard to make the thin screenplay work. But thin it is, and it sadly doesn't deliver a whammy at the finish.

It's a shame that the writing couldn't do justice to the themes of the plot, this is after all a story involving killings, violence, corporal punishment and dissociative disorder. What promises to be a tale of doomed lovers, ends up being a troubled romantic melodrama dressed up in noir clobber. That said, it's never less than enjoyable and the high points (visuals, acting, Rózsa's score) make it worth time invested. 6.5/10


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