IMDb > Key Largo (1948)
Key Largo
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Key Largo (1948) More at IMDbPro »

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Key Largo -- Humphrey Bogart and Lauren Bacall ignite in this story of a war veteran who finds himself in a deadly fight against gangsters who have taken over a hotel during a tropical storm.
Key Largo -- A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.

Overview

User Rating:
7.9/10   26,345 votes »
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Director:
Writers:
Richard Brooks (screenplay) and
John Huston (screenplay) ...
(more)
Contact:
View company contact information for Key Largo on IMDbPro.
Release Date:
31 July 1948 (USA) See more »
Tagline:
A storm of fear and fury in the sizzling Florida Keys ! See more »
Plot:
A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won Oscar. Another 1 nomination See more »
User Reviews:
Here's looking at you, Bogie (and Eddie)... See more (143 total) »

Cast

  (in credits order) (verified as complete)

Humphrey Bogart ... Frank McCloud

Edward G. Robinson ... Johnny Rocco

Lauren Bacall ... Nora Temple

Lionel Barrymore ... James Temple

Claire Trevor ... Gaye Dawn

Thomas Gomez ... Richard 'Curly' Hoff

Harry Lewis ... Edward 'Toots' Bass
John Rodney ... Deputy Clyde Sawyer

Marc Lawrence ... Ziggy
Dan Seymour ... Angel Garcia
Monte Blue ... Sheriff Ben Wade
William Haade ... Ralph Feeney
rest of cast listed alphabetically:
Beulah Archuletta ... Passenger on Bus (uncredited)
Luther Crockett ... Ziggy's Henchman #1 (uncredited)

Pat Flaherty ... The Traveler (uncredited)
Felipa Gómez ... Old Indian Woman (uncredited)
Jerry Jerome ... Ziggy's Henchman #2 (uncredited)

John Litel ... Dispatcher (uncredited)
Alberto Morin ... Skipper of Rocco's Boat (uncredited)
John Phillips ... Ziggy's Henchman #3 (uncredited)
Rodd Redwing ... John Osceola (uncredited)

Jay Silverheels ... Tom Osceola (uncredited)
Joe P. Smith ... Bus Driver (uncredited)

Directed by
John Huston 
 
Writing credits
Richard Brooks (screenplay) and
John Huston (screenplay)

Maxwell Anderson (based on the play by)

Produced by
Jerry Wald .... producer
 
Original Music by
Max Steiner 
 
Cinematography by
Karl Freund 
 
Film Editing by
Rudi Fehr 
 
Art Direction by
Leo K. Kuter 
 
Set Decoration by
Fred M. MacLean 
 
Makeup Department
Perc Westmore .... makeup artist
Betty Delmont .... hair stylist (uncredited)
Frank McCoy .... makeup artist (uncredited)
 
Production Management
Chuck Hansen .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Arthur Lueker .... assistant director (uncredited)
John Prettyman .... second assistant director (uncredited)
 
Art Department
Donald P. Desmond .... set construction (uncredited)
Budd Friend .... props (uncredited)
George Sweeney .... props (uncredited)
 
Sound Department
Dolph Thomas .... sound
 
Special Effects by
Robert Burks .... special effects
William C. McGann .... special effects director (as William McGann)
 
Stunts
Allen Pomeroy .... stunt coordinator (uncredited)
 
Camera and Electrical Department
Everett Dexter .... grip (uncredited)
Ellsworth Fredericks .... second camera (uncredited)
Burt Jones .... best boy (uncredited)
Mac Julian .... still photographer (uncredited)
Wally Meinardus .... assistant camera (uncredited)
Lee Wilson .... gaffer (uncredited)
 
Costume and Wardrobe Department
Leah Rhodes .... wardrobe
Marie Blanchard .... wardrobe (uncredited)
Eugene Joseff .... costume jeweller (uncredited)
Ted Schultz .... wardrobe (uncredited)
 
Music Department
Murray Cutter .... orchestrator
 
Other crew
Jean Baker .... script supervisor (uncredited)
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:13 | Australia:G (cable rating) | Australia:PG (original rating) | Canada:PG (video rating) | Finland:K-16 | Iceland:12 | South Korea:15 (2003) | Sweden:15 | UK:PG (DVD rating) | USA:Unrated | USA:Approved (PCA #12932) | West Germany:16 (nf)

Did You Know?

Trivia:
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 28, 1949 with Edward G. Robinson reprising his film role.See more »
Goofs:
Boom mic visible: When Gaye sits down with Nora after being released from her room, the boom microphone is reflected in the picture behind them.See more »
Quotes:
Johnny Rocco:You'd give your left arm to nail me wouldn't you? I could see the headlines now, 'Local Deputy Captures Johnny Rocco'. Your picture'd be in all the papers. You might even get to tell on the newsreels how you pulled if off, yeah. Listen hick, I was too much for any big city police force to handle. It took the United States Government to pin a rap on me. And they won't make it stick. You hick, I'll be back pulling strings to get guys elected mayor and governor before you get a ten buck raise.See more »
Movie Connections:
Referenced in Watching the Detectives (2007)See more »
Soundtrack:
Moanin' LowSee more »

FAQ

This FAQ is empty. Add the first question.
28 out of 37 people found the following review useful.
Here's looking at you, Bogie (and Eddie)..., 25 April 2000

When I think of the colorized version that, regrettably, is the only copy of this excellent film noir in my video store, I can't help but think of a comment Orson Welles made to a friend a few days before his death in regards to Turner's plans to colorize "Citizen Kane"(thankfully defeated, because of the fact that it came under Welles' original contract with RKO, which specified that only Welles would make changes): "Keep Turner and his g**d*** Crayolas away from my movie." Watching this version of "Key Largo" more than proves Welles' point; the lighting becomes terrible in several key scenes, particularly the closing ones on the boat, to whereas before, you could see what was going on, now you can just barely tell a thing. That said, it can't destroy the fine work that this film truly is.

I was led to this film by my mother, who called it one of her favorites from Bogie (another being "The African Queen") and now I can see why. Leave it to John Huston, the man who was bold enough to make a true adaptation of Dashiell Hammet's "The Maltese Falcon", to give us a tightly woven drama that never feels forced. Bogie's Frank McCloud is probably the most silent of all the strong-silent types he ever played, barely saying more than is necessary for the scene he's in. Such reticience leaves some large blanks for the audience to fill; though he says that he doesn't care one way or another, I really don't believe him. The feeling I get the entire time he's in the clutches of Johnny Rocco's gang is that he's just waiting for his moment. After all, you don't survive WWII's Italian campaign and not know when it's best to stay still and when it's best to make your play. That's why he threw away the gun offered to him by Rocco; no way was Rocco's gang just going to let their boss be gunned down even if the deck was stacked in Rocco's favor. The murders of the deputy and the Indians on the lam just adds to the need to take care of business.

I was a little disappointed to see Bacall in such a minor role (it still had to be better than what she was given, sans Bogie, after this film, from reports I've heard), but her spitting in Rocco's face is an undeniably powerful moment. As for Edward G. Robinson, one of Hollywood's original tough guys imported from Bucharest, Romania, he literally runs away with the part of Johnny Rocco, the former big-shot with delusions of grandeur. He's a casually vicious, ruthless fount of hate, bitter over his fallen status and hungering for a comeback. But he still fails to draw an important lesson from his soused ex-galpal: times change and not necessarily for the better. He may have defied a ton of police in his day or gun down a deputy in this one, but it still doesn't change the fact that the outside world (nicely symbolized by the hurricane) can and will eat him alive without the slightest trace of indigestion. All Rocco is is a dinosaur: proud, strong, but too stupid to realize that his kind have become extinct.

In fact, that may very well be why McCloud was such a natural match for Rocco as an opponent. McCloud had changed his spots many times in his life to fit the job situation he was in, while Rocco has never been anything else but what he is now. Small wonder that one can see the confrontation between them coming to full steam. This core element, and all the others mentioned and not mentioned here, help make "Key Largo" one of the great unsung classics of Humphrey Bogart AND Edward G. Robinson. Here's looking at you, tough guys.

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Why Bogey may be the best in history Tony43
Bogart and Bacall - Least interesting of their films together Bitbyadeadbee
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E.G.R. is center stage Bogart is passive in the background. gullwing592003
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