Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabiters are scoffing at Francois, the postman, what he seems not to recognize. The rising of the ... See full summary »
A boxer is out in the country with his entourage, training for his next fight. Meanwhile, on the farm nearby, Roger is neglecting his chores. As he watches the boxer and his sparring ... See full summary »
On the eve of her 16th birthday, Sylvie's father needs cash to stay in his castle so he sells Sylvie's favorite thing, a painting of Alain, the lover of Sylvie's grandmother, killed in a ... See full summary »
Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist ... See full summary »
Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabiters are scoffing at Francois, the postman, what he seems not to recognize. The rising of the flagstaff under his direction nearly leads into a catastrophy - but everybody tells him, how important his work is. Sneering up Francois continues in the evening of the festive day. Made drunk, some 'friends' persuade him to watch a short-movie in a tent. This film is a stunt-show, covered as 'The modern delivery-techniques of the US-post. Francois takes it serious, not recognizing being teased. Next day, after getting sober in a goods wagon, he reorganizes his own delivery-methods. He has not the equipment, as his ideals in the short-movie have, but using only his bicycle, he makes good, funny progresses. Written by
Christian Wenger <email@example.com>
Not as funny as Tati's later films, but still worth seeing
Tati's first feature film (he has made some shorts before) from 1949 is about an inept bicycle riding postman (Tati himself, of course) trying to adopt more efficient ways of delivering mail in a quaint French rural village, after watching a documentary of the American postal system. One must say first that the gags here are not as good or as funny as in Tati's later films (especially Mr. Hulot's Holiday and Mon Oncle). Still, this is worth seeing, especially in its color version (Tati was disappointed with its primitive color system, so he finally decided to release the film on black and white; the color version of the film was restored and released to the public many years later, after Tati's death). What is more striking of the movie when one sees it now is to look, even in a color that leaves much to be desired, at a rural France that no longer exists.
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