Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Rita Johnson ...
Eve Lawrence
Louise Allbritton ...
Margot Fraser
...
Ken St. Clair
...
Venetian Room Maitre di' (as Mike Romanoff)
Pierre Watkin ...
T.D. Hendricks
William Tannen ...
Gaylord
James Seay ...
Lester Burnley
Matt McHugh ...
Ted Burke
...
Hilda, the Maid
Susan Miller ...
Venetian Room Vocalist
Anne Nagel ...
Gladys - Receptionist
Eddie Le Baron ...
Venetian Room Orchestra Leader
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Storyline

Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife Paula gets suspicious and finally decides to do some flirting of her own to make him jealous. Unknown to her, she chooses cigarette tychoon Claude Kimball. In fact, Kimball hits it off well with both of the Doanes. The question is whether or not their marriage can survive all the shenanigans. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

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They're burning the Scandal at both ends...

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Comedy

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Release Date:

15 October 1948 (USA)  »

Also Known As:

Don't Trust Your Husband  »

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Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on September 23, 1949 with Fred MacMurray reprising his film role. See more »

Goofs

In the cab, Eve tells Paula the Burke Agency is on the second floor. But when we see the door to the firm, it's #307, which would indicate it's on the third floor. See more »

Soundtracks

These Things Are You
Written by Walter Kent and Kim Gannon
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User Reviews

 
Comedy couple gets by where others might have soared
13 March 2015 | by (United States) – See all my reviews

The title on the DVD I purchased of "An Innocent Affair" is different – "Don't Trust Your Husband." It's a good comedy about that subject – trust, in marriage. We have all seen various renditions of comedies on the subject. Cary Grant, has played in three or four different films himself. In this one, Fred MacMurray teams up with Madeleine Carroll as Vincent and Paula Doane. The story is a good one, with both stars on the end of jealousy and mistrust. They are both still deeply in love with one another after five years of marriage. But, Vince's job as an advertising executive sometimes takes him away from home at night. The problem starts when he tells a lie to cover up the real client he has been trying to sign for two weeks. He lies because he doesn't think Paula will trust or believe him because of whom that client is. It's all downhill from there, until the very end. But naturally, that's where we get most of the comedy.

It is a good film, but not much better than that. Several things seem askew, beginning with the script. It seems a little flat – not much life in it. The same can be said for the direction. And, while both the leads do well in their roles, there just isn't any chemistry between them. I think Carroll, as a rule, is a bit more reserved than most of the main line comedy actresses (Carol Lombard, Irene Dunne, Claudette Colbert, Ginger Rogers, Myrna Loy, etc.). She did well, and there seemed to be some chemistry with MacMurray in "Honeymoon in Bali." I haven't seen their other two comedy pairings ("Café Society" of 1939 and "One Night in Lisbon," 1941). Carroll was quite good with Dick Powell in "On the Avenue," but the few other comedies she made didn't fare very well. She is a much better actress in her more frequent roles in adventure films and dramas.

Two other performances in this movie helped lift it up to the six stars I give it. Rita Johnson is very good as Eve Lawrence – Vince's sister and Paula's good friend. And, Charles 'Buddy' Rogers is excellent as Claude Kimball, the tobacco king. He plays the southern gentleman perfectly with the shock and befuddled acceptance of what he sees as the most unusual marital arrangement between Vince and Paula. How he comes to that conclusion is all part of the humor of the film. This is a good comedy, and one with a more direct message than most about the relationship between honesty and trust. I could picture Cary Grant and Carol Lombard in the roles, or Irene Dunne with MacMurray. They would have raised the laughter bar a few notches.


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