| Irene Dunne | ... | Mama | |
| Barbara Bel Geddes | ... | Katrin | |
| Oskar Homolka | ... | Uncle Chris (as Oscar Homolka) | |
| Philip Dorn | ... | Papa | |
| Cedric Hardwicke | ... | Mr. Hyde (as Sir Cedric Hardwicke) | |
| Edgar Bergen | ... | Mr. Thorkelson | |
| Rudy Vallee | ... | Dr. Johnson | |
| Barbara O'Neil | ... | Jessie Brown | |
| Florence Bates | ... | Florence Dana Moorhead | |
| Peggy McIntyre | ... | Christine | |
| June Hedin | ... | Dagmar | |
| Steve Brown | ... | Nels | |
| Ellen Corby | ... | Aunt Trina | |
| Hope Landin | ... | Aunt Jenny | |
| Edith Evanson | ... | Aunt Sigrid | |
| Tommy Ivo | ... | Cousin Arne | |
| rest of cast listed alphabetically: | |||
| Stanley Andrews | ... | Minister (uncredited) | |
| George Atkinson | ... | Postman (uncredited) | |
| Lela Bliss | ... | Head Nurse (uncredited) | |
| Louise Colombet | ... | Nurse (uncredited) | |
| Art Dupuis | ... | Conductor (uncredited) | |
| Franklyn Farnum | ... | Man (uncredited) | |
| Lou Hicks | ... | Conductor (uncredited) | |
| Gene Holland | ... | Boy (uncredited) | |
| Howard Keiser | ... | Bellboy (uncredited) | |
| Alice Kerbert | ... | Girl (uncredited) | |
| Peggy Kerbert | ... | Girl (uncredited) | |
| Peggy McKim | ... | Girl (uncredited) | |
| Constance Purdy | ... | Fat Night Nurse (uncredited) | |
| Cleo Ridgely | ... | Schoolteacher (uncredited) | |
| Ruth Tobey | ... | Girl (uncredited) | |
Directed by | |||
| George Stevens | |||
Writing credits | ||
| DeWitt Bodeen | (screenplay) | |
| John Van Druten | (based upon the play "I Remember Mama" adapted by) | |
| Kathryn Forbes | (from the novel "Mama's Bank Account" by) | |
Produced by | |||
| Harriet Parsons | .... | producer | |
| George Stevens | .... | executive producer | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Nicholas Musuraca | (director of photography) | ||
Film Editing by | |||
| Robert Swink | |||
Art Direction by | |||
| Carroll Clark | |||
| Albert S. D'Agostino | |||
Set Decoration by | |||
| Emile Kuri | (set decorations) | ||
| Darrell Silvera | (set decorations) | ||
Costume Design by | |||
| Gile Steele | (costumes: men) | ||
| Edward Stevenson | (costumes: women) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
| Hazel Rogers | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Hollingsworth Morse | .... | assistant director (as John H. Morse) | |
Sound Department | |||
| Terry Kellum | .... | sound | |
| Richard Van Hessen | .... | sound | |
Special Effects by | |||
| Russell A. Cully | .... | special effects | |
| Kenneth Peach | .... | special effects | |
Camera and Electrical Department | |||
| Fred Bentley | .... | camera operator (uncredited) | |
| Ralph Clement | .... | grip (uncredited) | |
| Gaston Longet | .... | still photographer (uncredited) | |
Editorial Department | |||
| Tholen Gladden | .... | associate editor | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Ivan Moffat | .... | executive assistant | |
| Dore Schary | .... | presenter | |
| John Van Druten | .... | based upon the play "I Remember Mama" directed by | |
| Richard Kinon | .... | script supervisor (uncredited) | |
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| The Kite Runner | Giant | Madame Bovary | Kings & Queen | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This film beautifully--and honestly--captures the importance and dignity of family without ever resorting to platitudes or mawkish sentimentality (though there is quite a bit of very truthful and touching sentiment throughout). I am always particularly struck by the sensitive treatment of the climactic episode about the death of Uncle Chris: this truly is one of the best depictions of death in cinema, touching on all the anger, disappointment, humor, regret, etc., that are attendant on the experience of a family member's passing. The cinematography and lighting in this segment of the film are particularly striking, and the sequence is genuinely moving. "I Remember Mama" would be worth watching for this episode alone, but virtually every other element in the film is of the same high caliber.