Clay Spencer is a hard-working man who loves his wife and large family. He is respected by his neighbors and always ready to give them a helping hand. Although not a churchgoer, he even ... See full summary »
When Cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Archibald Craven's house is dark, drafty, with over 100 rooms built on the... See full summary »
Fred M. Wilcox
Set in the rural south of the United States, a bereaved war widow learns to to put aside her bitterness and grief as she grows to love a young orphan boy and the dog that belonged to her ... See full summary »
Claude Jarman Jr.
The life of a Norwegian immigrant family in 1910 San Francisco centers around Mama and her detailed, pennywise household budget. We follow the Hansens' small joys, sorrows, and aspirations, with the boisterous antics of Uncle Chris as counterpoint. Written by
Rod Crawford <email@example.com>
When Dagmar comes home from the hospital and is holding Uncle Elizabeth and takes the blanket from his face he has no bandages on his face but when he jumps from her arms we see several. See more »
[reading the novel that she's just finished]
"For long as I could remember, the house on the Larkin Street Hill had been home. Papa and Mama had both born in Norway but they came to San Francisco because Mama's sisters were here, all of us were born here. Nels, the oldest and the only boy, my sister Christine and the littlest sister Dagmar but first and foremost I remember Mama".
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This film beautifully--and honestly--captures the importance and dignity of family without ever resorting to platitudes or mawkish sentimentality (though there is quite a bit of very truthful and touching sentiment throughout). I am always particularly struck by the sensitive treatment of the climactic episode about the death of Uncle Chris: this truly is one of the best depictions of death in cinema, touching on all the anger, disappointment, humor, regret, etc., that are attendant on the experience of a family member's passing. The cinematography and lighting in this segment of the film are particularly striking, and the sequence is genuinely moving. "I Remember Mama" would be worth watching for this episode alone, but virtually every other element in the film is of the same high caliber.
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