Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a ... See full summary »
Ching-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ... See full summary »
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
The rise of Peter Marshall, from modest Scottish upbringing, to New York seminary, time in Atlanta churches, his marriage, appointment as chaplain of the US Senate, and early death at 46. Based on real events.
When cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Archibald Craven's house is dark and drafty, with over 100 rooms built on ... See full summary »
Fred M. Wilcox
The life of a Norwegian immigrant family in 1910 San Francisco centers around Mama and her detailed, pennywise household budget. We follow the Hansens' small joys, sorrows, and aspirations, with the boisterous antics of Uncle Chris as counterpoint. Written by
Rod Crawford <firstname.lastname@example.org>
Irene Dunne worked with dialect coach Judith Sater for two months to perfect her Norwegian accent. Dunne became so immersed in getting her character's voice down that she used the accent around her home with her family. See more »
When the aunts are sitting at the table drinking coffee, Jenny is on the right and Sigrid are on the left. After Jenny asks, "Where are the children?" and gets up, she and Sigrid have switched places. See more »
This film beautifully--and honestly--captures the importance and dignity of family without ever resorting to platitudes or mawkish sentimentality (though there is quite a bit of very truthful and touching sentiment throughout). I am always particularly struck by the sensitive treatment of the climactic episode about the death of Uncle Chris: this truly is one of the best depictions of death in cinema, touching on all the anger, disappointment, humor, regret, etc., that are attendant on the experience of a family member's passing. The cinematography and lighting in this segment of the film are particularly striking, and the sequence is genuinely moving. "I Remember Mama" would be worth watching for this episode alone, but virtually every other element in the film is of the same high caliber.
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