6.8/10
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51 user 31 critic

Hollow Triumph (1948)

Not Rated | | Crime, Drama, Film-Noir | 3 February 1949 (Mexico)
Pursued by the big-time gambler he robbed, John Muller takes a new identity, with ironic results.

Director:

Writers:

(screenplay), (based upon a novel by)
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Cast

Complete credited cast:
...
...
...
Frederick Muller
...
...
...
Charwoman
...
Marcy
...
Coblenz
...
Aubrey - Assistant
Sid Tomack ...
Artell - Manager
...
Jerry
Ann Staunton ...
Blonde
...
Clerk (as Paul Burns)
...
Deputy
...
Howard Anderson
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Storyline

John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

The Story of a Man Who Murdered Himself and Lived to Regret It!!! See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

3 February 1949 (Mexico)  »

Also Known As:

The Man Who Murdered Himself  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film debut of Thomas Browne Henry. See more »

Goofs

The position of the file that John Muller was reading in Dr. Bartok's office file cabinet changes position between shots. See more »

Quotes

Evelyn Hahn: It's a bitter little world full of sad surprises, and you don't let anyone hurt you.
See more »

Soundtracks

Blue Danube Waltz
(uncredited)
Written by Johann Strauss
Whistled by Muller's workmate at the garage
See more »

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User Reviews

 
Zingy Noir With A Pulpy Ending
14 April 2003 | by (United States) – See all my reviews

Lovers of noir will want to check this unusual entry featuring Casablanca's Victor Lazlo (Paul Henreid) in a rare heavy role. One of those cautionary tales which amply illustrates how it's often better to stay on your own shabby lawn than to traipse across the seemingly greener grass of the neighbors. A tad slow at times but it builds to the nice and twisty (if inevitable) climax.


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