The owner of a San Francisco saloon yearns to rank among the upper crust of Nob Hill. When he begins romancing a wealthy socialite it looks like he may have his entree into high society. ... See full summary »
John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire. Written by
Rod Crawford <firstname.lastname@example.org>
The Scar is a real sleeper. It seldom appears on anybody's list of essential films noirs. Yet, this independently produced gem contains the very essence of noir. Paul Henreid memorably creates the doomed main character who tries to change his own fate by taking advantage of a fantastic coincidence: recently released from prison, this career criminal sees a way to start fresh and at the top--he stumble upon a successful psychiatrist who is his exact double. Really a well-produced B movie, The Scar does utilize some plot cliches, but it proceeds with such unrelenting noir force, that its impact in undeniable. Directed by Steve Szekely in a Fritz Lang-influenced, this film should appeal to fans of The Woman in the Window or Scarlett Street. Highly watchable!!
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