Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary »
John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire. Written by
Rod Crawford <email@example.com>
The ship shown at the pier John and Evelyn were going to at the end of the film was named the Don Anselmo. It was originally named Reeving Eye, a C1-M Alamosa-class cargo vessel, built for the U.S. War Shipping Administration by Kaiser Shipbuilding at Portland Oregon in 1945. It was sold to a Panamanian company in 1946. It sank off the coast of Peru in 1971 after a collision with an Ecuadorian Navy ship, with the loss of 13 lives. See more »
The position of the file that John Muller was reading in Dr. Bartok's office file cabinet changes position between shots. See more »
Paul Henreid is in every single scene of this movie, and it's hard not to think of him in his most famous role, and to impose that image onto this picture. Henreid's thick accent is a distraction that really robs this movie of some of its charm.
But, the plot twists make up for everything. One takes place in a photo shop, and its significance is immediately apparent. The other is the ending which caught me totally by surprise. I can't say anymore for fear of spoiling it for those who haven't seen it, but I will pause to note how no other commentator here has bothered to note the *irony* of how Laszlo .. er Muller .. er Bartok met his end.
Joan Bennett is terrific here, as a cynical, vulnerable, rather sarcastic secretary who shows herself to be an astute judge of character, though not as hard-hearted as she'd have us believe. Leslie Brooks .. the exquisitely eye-lined Leslie Brooks .. is wasted here.
This is a tedious, hum-drum movie except in the moments when Henreid and Bennett are together on screen, but that wonderful ending is one of the best you'll ever see. 7 out of 10.
11 of 15 people found this review helpful.
Was this review helpful to you?