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Detective Sam Campbell and his perky sidekick Robby Vance are called in on a routine child support dispute. Things take an unexpected turn when the client's ex-father-in-law, the head of a ... See full summary »
A well-known judge has become a fugitive from the police, with a large reward on his head. A reporter believes that the judge is hiding in a private sanitarium, so she seeks out a private ... See full summary »
John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire. Written by
Rod Crawford <email@example.com>
When John Muller attempts to duplicate Dr. Bartok's scar on his own face, he copies from a photograph of Dr. Bartok. Dr. Bartok's scar is on the left side of his face, so to Muller it appears on the right side of the photo, same as when you look at someone's face, their left ear will be on the right side of your field of vision. Muller simply copies what he sees and cuts a scar on the right side of his face. He is not seeing his face as others see it - he is seeing a mirror image. As a first time viewer I said "Aha! He is making the scar on the wrong side." Then he goes to the photo lab to retrieve the negative and after he leaves, the two men in the photo lab talk about how the photo was printed wrong, by reversing the negative, making the picture a "mirror image" of Dr. Bartok. So I said "Aha! His mistake in incorrectly copying the mirror image actually put the scar on the correct side of his face - the right side." Yet after Muller kills Dr. Bartok he discovers to his horror that the scar is on the left side of Dr. Bartok's face. The rest of the movie plays out based on the premise that Muller's scar is on the wrong side. The movie would have made sense with just the mirror scene or just the reversed negative scene. Either of those standing alone would have resulted in a mistake, but by including both, Muller would have had the scar on the correct side of his face, and he might have avoided his tragic fate. It seems the director, producer and studio never caught the mirror image error, or simply thought the audience would mentally make the same error Muller did when looking in the mirror. See more »
Paul Henried plays a career criminal, who gets the usual release from prison with the assurance from the warden that he'll be back. And, of course, the warden was at least partly right, as Henried's character's first move is to reassemble his gang and rob a casino. This is a great part for Henried, who plays it so well he makes it seem as if he were born to play a bad guy. He has a great face for the camera to zoom in on in those darkly lit scenes. As well, the fairly ingenious story keeps one watching, as he assumes the identity of a successful psycho-analyst who he was a dead ringer for. It gives us a look at the criminal duplicity of that situation, with some amusing scenes of him in the office with patients on the couch, though the part played by Joan Bennet, as the office secretary, needed to have been more developed to meet the needs of her situation. Nonetheless, the film is very well directed, and keeps the conclusion a secret all the way up to the end.
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