7.2/10
3,442
73 user 44 critic

He Walked by Night (1948)

This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.

Directors:

(as Alfred Werker), (uncredited)

Writers:

(story), (screenplay) | 2 more credits »
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Cast

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Storyline

In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Savage! ... Searing! ... True! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

10 May 1949 (Argentina)  »

Also Known As:

The L.A. Investigator  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The three fired cases were head stamped 380 AP RMC which means .380 Automatic Pistol Remington Metallic Cartridge. That cartridge at that time was fired in a Colt 1903 semi automatic pocket pistol and several European semi autos. It is not fired in a revolver and was not a common cartridge. See more »

Goofs

The lettering on Reeves' glass office door ("Positively No Admittance") is backwards. It should be facing out, not in. See more »

Quotes

Narrator: And so the tedious quest went on. Sergeant Brennan wore out his shoes and his patience going from police station to police station, checking photos until his eyes were blurry. For police work is not all glamour and excitement and glory. There are days and days of routine, of tedious probing, of tireless searching. Fruitless days. Days when nothing goes right, when it seems as if no one could ever think his way through the maze of baffling trails a criminal leaves. But the answer to that is ...
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Connections

Featured in Casino (1995) See more »

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User Reviews

 
Alton's Camera, Basehart's Acting Highlight This Noir
22 October 2006 | by (United States) – See all my reviews

Not as good as hyped, this film noir, however, is still interesting and suspenseful. It's full of good film noir photography with lots of nighttime shots with many shadows, not only outdoors but indoors and even in the Los Angeles sewer system! I recommended getting the Anthony Mann DVD pack so you get the best picture quality. With all that darkness, you need to see this on a good transfer.

Mann is an uncredited director for this film, or at least a co-director. John Alton, the cinematographer who worked with him on a couple of other film noirs, did the camera-work and he was one of the best.

Richard Basehart plays a convincing no-conscience killer. He as very interesting to watch all the way through. It also was entertaining to see a young Jack Webb play a forensics-type cop. This was his pre-Dragnet television show period but this was a good vehicle for his cop work. In fact, this movie even had a Dragnet feel to it with some kooky minor characters, such as the lady talking to the milkman/cop.

This movie dragged a big in the middle but overall was entertaining enough to recommend, especially to film noir fans. Just make sure you see this with a good print.


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