In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
From the Homicide Files of the Los Angeles Police.
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Did You Know?
This was an historical film in that it was the first to use the Los Angeles underground sewer and storm-drain system and its series of canals and tunnels as a backdrop. See more
When Martin flees from his bungalow into the sewer system, the first shot shows him running in the sewer with a torch and a bag in his hand. This is the same shot as used earlier on in the film after he started robbing liquor stores. (In this later scene, he did not have a bag when he fled the bungalow nor when he entered the sewers.) See more
And so the tedious quest went on. Sergeant Brennan wore out his shoes and his patience going from police station to police station, checking photos until his eyes were blurry, for policework is not all glamor and excitement and glory. There are days and days of routine, of tedious probing, of tireless searching - fruitless days - days when nothing goes right, when it seems as if no one could think his way through the maze of baffling trails the criminal leaves. But the answer to that is ...
Edited into The Big Combo