In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
From the Homicide Files of the Los Angeles Police.
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Did You Know?
This was a historical film in that it was the first to use the Los Angeles underground sewer and storm-drain system and its series of canals and tunnels as a backdrop. See more
When Roy Martin confronts Reeves in Reeves' bedroom, Martin's shadow changes position depending upon whether the shot is from behind Reeves or from a closer position. See more
[Referring to the composite sketch
They showed that picture to the inmates of jails and prisons, to men with a wide acquaintance among the cat burglars and the violence boys, informers, con men, and sharpshooters - those on the fringe of crime and those deep in the rackets. Many wanted to help - nobody could! No one in the Underworld recognized that mysterious face. He was as unknown as if he had lived in the 16th Century.
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