| Photos (See all 37 | slideshow) |
| John Laurie | ... | Francisco | |
| Esmond Knight | ... | Bernardo | |
| Anthony Quayle | ... | Marcellus | |
| Niall MacGinnis | ... | Sea Captain | |
| Harcourt Williams | ... | First Player | |
| Patrick Troughton | ... | Player King | |
| Tony Tarver | ... | Player Queen | |
| Peter Cushing | ... | Osric | |
| Stanley Holloway | ... | Gravedigger | |
| Russell Thorndike | ... | Priest | |
| Basil Sydney | ... | Claudius - The King | |
| Eileen Herlie | ... | Gertrude - The Queen | |
| Laurence Olivier | ... | Hamlet - Prince of Denmark | |
| Norman Wooland | ... | Horatio - His Friend | |
| Felix Aylmer | ... | Polonius - Lord Chamberlain | |
| Terence Morgan | ... | Laertes - His Son | |
| Jean Simmons | ... | Ophelia - His Daughter | |
| rest of cast listed alphabetically: | |||
| Anthony Bushell | ... | Bit Part (uncredited) | |
| Patricia Davidson | ... | Lady of the Court (uncredited) | |
| Doreen Lawrence | ... | Extra (uncredited) | |
| Christopher Lee | ... | Spear Carrier (uncredited) | |
| Desmond Llewelyn | ... | Extra (uncredited) | |
| Victor Lucas | ... | Extra (uncredited) | |
| Patrick Macnee | ... | Extra (uncredited) | |
Directed by | |||
| Laurence Olivier | |||
Writing credits | ||
| William Shakespeare | (by) | |
| Laurence Olivier | uncredited | |
Produced by | |||
| Reginald Beck | .... | associate producer | |
| Anthony Bushell | .... | assistant producer | |
| Herbert Smith | .... | executive producer in charge of production (uncredited) | |
Original Music by | |||
| William Walton | (music by) | ||
Cinematography by | |||
| Desmond Dickinson | (photographer) | ||
Film Editing by | |||
| Helga Cranston | |||
Casting by | |||
| Maude Spector | (uncredited) | ||
Art Direction by | |||
| Carmen Dillon | |||
Costume Design by | |||
| Elizabeth Hennings | (uncredited) | ||
Makeup Department | |||
| Tony Sforzini | .... | makeup artist | |
| Vivienne Walker | .... | hairdresser | |
| Michael Morris | .... | makeup artist (uncredited) | |
| Basil Newall | .... | makeup artist (uncredited) | |
| Geoffrey Rodway | .... | makeup supervisor (uncredited) | |
Production Management | |||
| John W. Gossage | .... | production manager (as John Gossage) | |
| Phil C. Samuel | .... | production supervisor | |
| Filippo Del Giudice | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Peter Bolton | .... | assistant director | |
| Frank Ernst | .... | third assistant director (uncredited) | |
| Cecil F. Ford | .... | second assistant director (uncredited) | |
| Alec Gibb | .... | second assistant director (uncredited) | |
| Laurie Knight | .... | fourth assistant director (uncredited) | |
Art Department | |||
| Roger K. Furse | .... | designer (as Roger Furse) | |
| Roger Ramsdell | .... | set dresser | |
| William Bowden | .... | draughtsman (uncredited) | |
| Clément Hurel | .... | poster artist (uncredited) | |
| E. Lindegaard | .... | scenic artist (uncredited) | |
| E. Lindegarde | .... | scenic artist (uncredited) | |
| Betty Pierce | .... | assistant art director (uncredited) | |
Sound Department | |||
| Harry Miller | .... | sound editor | |
| John W. Mitchell | .... | sound recorder | |
| L.E. Overton | .... | sound recorder | |
| Peter Davies | .... | sound maintenance (uncredited) | |
| Desmond Dew | .... | sound recordist (uncredited) | |
| Gus Lloyd | .... | assistant boom operator (uncredited) | |
| Dudley Messenger | .... | boom operator (uncredited) | |
| C.C. Stevens | .... | sound supervisor (uncredited) | |
Special Effects by | |||
| Henry Harris | .... | special effects | |
| Paul Sheriff | .... | special effects | |
| Jack Whitehead | .... | special effects | |
Visual Effects by | |||
| George Blackwell | .... | special processes (uncredited) | |
| Francis Carver | .... | special processes (uncredited) | |
| Syd Howell | .... | special processes (uncredited) | |
| James Snow | .... | special processes (uncredited) | |
| Bill Warrington | .... | special processes (uncredited) | |
Stunts | |||
| Jack Keely | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Hamilton | .... | chief electrician | |
| Ray Sturgess | .... | camera operator | |
| Maurice Gillett | .... | electrician (uncredited) | |
| Wilfrid Newton | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Barbara Gillett | .... | wardrobe mistress (uncredited) | |
| Elizabeth Hennings | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| John Pomeroy | .... | second assistant editor (uncredited) | |
| Peter Taylor | .... | assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| E.A. Drake | .... | music recordist (uncredited) | |
| John Hollingsworth | .... | assistant conductor (uncredited) | |
Other crew | |||
| Alan Dent | .... | text editor | |
| Elizabeth Everson | .... | continuity | |
| Dennis Loraine | .... | sword play | |
| Laurence Olivier | .... | presents | |
| David Paltenghi | .... | mime play | |
| Anthony Bushell | .... | associate director (uncredited) | |
| Gladys Goldsmith | .... | assistant continuity (uncredited) | |
| Ken Green | .... | press representative (uncredited) | |
| Laurence Olivier | .... | voice: Ghost of Hamlet's Father (uncredited) | |
| Myrtle Rowe | .... | stand-in: Eileen Herlie (uncredited) | |
Thanks | |||
| Alexander Korda | .... | acknowledgement: Eileen Herlie appears courtesy of (as Sir Alexander Korda) | |
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| Almost the Best Version | vmancini218c2000 |
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| Hamlet | Hamlet | Hamlet, Prince of Denmark | Hamlet | Hamlet |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The titled melancholy Danish prince (Oscar-winner Laurence Olivier) seeks to avenge those involved with his father's death. It seems that Olivier's father (voiced by John Gielgud) still roams the Earth as a spirit that walks around aimlessly, unable to find Heaven or Hell (Purgatory for the most part). Gielgud makes it clear that his brother (Basil Sydney) was the culprit in his death and Olivier becomes enraged. The fact that Sydney has become king by marrying the titled character's mother (Eileen Herlie) just makes the tension build. Herlie and Olivier's relationship pushes the envelope hard on a typical mother-son bond (there are incestuous tones abound here). Oscar-nominee Jean Simmons appears to be Olivier's one true love, but after a terrible tragedy she falls down a path of mental anguish. It appears that the only logical conclusion for Shakespeare's famed character is to have that famous sword fight dual with Simmons' brother (Terence Morgan). Of course you know that not everything is the way it seems, right? "Hamlet" was a surprising success in 1948. Produced in Britain (and strictly a British project for all intensive purposes), the film became a runaway hit with most all audiences and critics (becoming the year's Best Picture Oscar winner). Shakespeare's plays have never really warranted excellence on the silver screen, but this adaptation (also by Olivier) is about as close as we have seen thus far. The movie runs nearly three hours and I was about to fall asleep after the first 60 minutes (the film is almost dragging to a crawl by that point), but after the set-up the movie soars very high. Lots of data that is somewhat confusing hogs up a little too much time when the pacing could have been much crisper. Olivier's spin on the timeless classic is truly uncanny nonetheless. His direction (he was Oscar-nominated in the category) and vision are something to behold. The production values are strong and I ended up enjoying the movie for what it is and what it ultimately wanted to be. Olivier became the first of only two people presently to direct himself to an Oscar victory (Roberto Benigni duplicated the feat with 1998's "Life Is Beautiful"). 4.5 out of 5 stars.