Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
William Shakespeare's tale of tragedy of murder and revenge in the royal halls of medieval Denmark. Claudius, brother to the King, conniving with the Queen, poisons the monarch and seizes the throne, taking the widowed Gertrude for his bride. Hamlet, son of the murdered King, mournful of his father's death and mother's hasty marriage, is confronted by the ghost of the late King who reveals the manner of his murder. Seeking revenge, Hamlet recreates the monstrous deed in a play with the help of some traveling actors to torment the conscience of the evil Claudius. In a visit with his mother, Hamlet expresses his anger and disappointment concerning her swiftly untimed marriage. Thinking a concealed spy in his mother's chamber to be the lurking Claudius, he mistakenly kills the meddling counselor, Polonius, father of Ophelia and Laertes. Claudius, on the pretext that Hamlet will be endangered by his subjects for the murder of Polonius, sends the prince to England. Written by
Initially, Laurence Olivier was not keen on producing "Hamlet". Although he wanted to repeat the success of Henry V (1944), he found that the Danish play was the only really viable choice, as Orson Welles had just done Macbeth (1948) and was prepping Othello (1952). By casting himself in the lead, however, he was able to secure the necessary financing. See more »
So oft it chances in particular men / That through some vicious mole of nature in them, / By the o'ergrowth of some complexion / Oft breaking down the pales and forts of reason, / Or by some habit grown too much; that these men - / Carrying, I say, the stamp of one defect, / Their virtues else - be they as pure as grace, / Shall in the general censure take corruption / From that particular fault... This is the tragedy of a man who could not make up his mind.
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The amount of lines taken from this play and used in our everyday conversation is staggering. Like all of the Bard's works, his endurance is not only the mastery of language, but really in storylines that just never get old. Above, everything else, Hamlet is an interesting tale. Olivier's interpretation however, is very dark. Very deliberate. He shies away from the humor completely, and instead takes a slow, purposeful tack. To that, it might not appeal to some. In such a long play and movie, the humor is sorta needed to jostle you a bit, and break the overall bleakness of the tragedy. You don't catch a break here I'm afraid. Id classify this therefore as for more advanced taste, and not for the average moviegoer. Olivier's other two attempts, Henry V and Richard III, specifically the latter, will garner more mainstream appeal.
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