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Fury at Furnace Creek (1948)

Passed | | Western | 9 August 1948 (Sweden)
Two sons of a general try to prove that he did not give an order that resulted in the Indian massacre of a wagon train and army fort.

Director:

(as Bruce Humberstone)

Writers:

, (additional dialogue) | 1 more credit »
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1 nomination. See more awards »
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Cast

Complete credited cast:
...
Cash Blackwell / Tex Cameron
...
Molly Baxter
...
Capt. Rufe Blackwell / Sam Gilmore
...
Capt. Grover A. Walsh
...
Edward Leverett
...
Bird
...
Peaceful Jones
...
Gen. Fletcher Blackwell
...
Judge
...
Al Shanks
...
Gen. Leads
...
Appleby
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Storyline

The Arizona wilderness, 1880. Gen. Fletcher Blackwell sends a message telling Capt. Walsh, who is escorting a wagon-train through Apache territory, heading for the fort at Furnace Creek, that he should cancel the escort and rush to another town. Apache leader "Little Dog" is leading the attack on the wagon-train and massacring everyone at the poorly manned fort. As a result the treaty is broken with the Indians and the white settlers take over the territory with the help of the calvary, as the Apaches are wiped out and only "Little Dog" remains at large. Gen. Fletcher Blackwell is court-martial-led for treason. The general's 2 sons, Cash Blackwell and Capt. Rufe Blackwell, each with a different disposition, go about trying to find evidence to clear their father's name. Written by Robert

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

9 August 1948 (Sweden)  »

Also Known As:

Four Men and a Prayer  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on February 10, 1949 with Victor Mature, Charles Kemper and Reginald Gardiner reprising their film roles. See more »

Goofs

When Tex Cameron was driving the open buggy through the desert talking to Molly, the carriage seemed to be moving at about 40 miles an hour. Yet there was not even breeze of wind on their faces, indicating they were on a sound stage. See more »

Connections

Remake of Four Men and a Prayer (1938) See more »

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User Reviews

 
Forgotten 'Forties Western Stylish And Entertaining
8 August 2013 | by (North Texas sticks (see all my reviews)) – See all my reviews

Fury At Furnace Creek is a richly textured Western from 1948 starring charming second-tier leads Victor Mature and Coleen Gray. The mid to late 1940's, the Golden Era of Hollywood movies, produced such Western Classics as Red River (1948), My Darling Clementine (1946), and San Antonio (1945) (see my review). While not in a league with those blockbusters, this picture reaps the benefits of a big studio industry that was at the absolute peak of movie-making artistry. Though a medium budget picture, it gets the same glossy production values as any top-dollar 20th Century Fox number.

Mature and second lead Glenn Langan play long-estranged brothers uneasily reunited in a effort to clear their late Army General father of charges he caused an Indian massacre. Ms. Gray, as a pretty, but spunky diner waitress whose enlisted man father died in the massacre, makes a lovely romantic interest for the appealingly laid-back Mature. Formidable villainy is provided by Albert Dekker as a suave crime boss with henchmen Roy Roberts, Fred Clark, and the ever sinister Charles Stevens. Stevens, who claimed to be the grandson of Geronimo, was an asset to any Western. With his beady eyes, his weathered ferret-like face, and his wiry, stooped physique, he seemed the quintessential Western villain. Reginald Gardiner plays a pivotal supporting role as an alcoholic retired Army captain possibly involved in a conspiracy to frame the General.

Though director Bruce Humberstone directed only two other Westerns, he nevertheless shows a nice touch for the genre here, getting fine performances out of a diverse cast and brilliantly setting up the scenes for some dazzling cinematography. He and film editor Robert L. Simpson move along the critically acclaimed Charles Booth/David Garth story with silky smooth scene transitions and nary a wasted camera shot in a lean 88-minute running time. The colorful score, credited in the movie's opening graphics to Alfred Newman, not David Raksin as IMDb indicates, consists mostly of pervasive period honky-tonk music but works quiet effectively. Sets are lavishly detailed and costumes are colorful and authentic looking. All of which along with intelligent, colorful dialog, and Harry Jackson's stylish cinematography creates a rich, layered, ambiance. The style of Jackson's atmospheric cinematography, abounding with night scenes and starkly shadowed, obliquely angled camera shots, shows the influence of the dark, Gothic crime melodrama, now known as film noir, which was all the rage of the late 1940's. Look for some some real knock-out camera work in this modest Western, particularly the following: 1) a lengthy sequence of panicked Garder stalked through, dark streets, boardwalks, and alleys by Stevens -- 2) a shot of Mature descending a stairway viewed between the silhouetted hats of the two villains watching him -- 3) in the final reel horseback chase a pose of villains galloping across the top of a rugged cliff while the two fleeing brothers ride parallel to them at the bottom of the cliff, all in the same frame. And surely the climatic shoot-out scene in the ruins of the old fort accompanied by whistling wind, tumbling tumbleweeds, and screeching gate hinges, has served endless inspiration for a later generation of Spaghetti Western directors.

If you are a Western fan, or just a fan of classic movies, don't miss this one. Fury At Furnace Creek is a skillful blend of drama, intrigue, and action, exciting, atmospheric, and engaging from beginning to end. First-rate Western entertainment from Old Hollywood's Golden Years.


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