Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further ...
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Scatterbrained Sally Elliott gets a job as a Fuller brush girl and, as expected, her attempts at selling cosmetics door-to-door are disastrous. Things get worse when one of her customers is... See full summary »
Carl Benton Reid
Pirdy is accident prone. He has been denied insurance from every company in town because he is always getting hit or hurt in some way. On the day that he meets the lovely Ellen of the ... See full summary »
Hattie Maloney runs a saloon in Panama where assorted characters congregate where they frequently sing and dance Cole Porter numbers. An upper class gentleman arrives and sparks fly between... See full summary »
Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect. Written by
Daniel Bubbeo <email@example.com>
The warehouse at the dock (exteriors, at least) was the El Monte Legion Stadium---originally the El Monte (CA) Union High School gymnasium, built in 1927. The stadium (interior) also served for televised wrestling matches, Roller Derby, and Cliffie Stone's "Hometown Jamboree" (with '50's C&W stars such as Tennessee Ernie Ford, Molly Bee and others). L.A. disk jockey, Art Laboe, brought "name" R&R performers for dances/concerts through the '60's. The stadium was sadly demolished in 1974. See more »
It's just as well, if I'd gone to another house, Dracula probably would've lived there.
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The opening scenes of "The Fuller Brush Man" are hardly promising: Red Skelton, playing a ne'er-do-well who can't hold a job, hopes to impress his lady-love with his skills as a door-to-door salesman, not knowing that he's been sent to the worst neighborhood in town by his adversary, his gal's other boyfriend. Seeing charming Skelton (with his happy chatter and lilting walk) being set-up as a chump is awfully sour, and the slapstick chaos which ensues isn't funny as a result. Thankfully, writer Frank Tashlin quickly gets off this baleful track, turning the proceedings instead into a comedic murder mystery, with Red one of the suspects in the killing of his former boss. The new plot thread--while neither original nor ingenious--does allow Skelton lots of funny business as an actor, with Janet Blair the perfect counterpart to Red's unintentional hero. The wild, free-for-all finale in a warehouse has staging and stunt-work as good as anything from the silent era, if not better. No wonder this was a box-office smash in 1948--it leaves the audience with a succession of happy highs. Followed two years later by "The Fuller Brush Girl". *** from ****
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