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The Fuller Brush Man (1948)

Passed  -  Action | Adventure | Comedy  -  June 1948 (USA)
7.0
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Ratings: 7.0/10 from 366 users  
Reviews: 12 user | 3 critic

Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further ... See full summary »

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(story), (screenplay), 1 more credit »
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Cast

Cast overview:
...
...
Ann Elliot
Don McGuire ...
Keenan Wallick
Hillary Brooke ...
Mildred Trist
Adele Jergens ...
Miss Sharmley
Ross Ford ...
Freddie Trist
Trudy Marshall ...
Sara Franzen
Nicholas Joy ...
Commissioner Gordon Trist
...
Gregory Cruckston
Arthur Space ...
Police Lt. Quint
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Storyline

Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

Based Upon a SATURDAY EVENING POST Story by Roy Huggins (original poster) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

June 1948 (USA)  »

Also Known As:

As Loucuras de Mr. Jones  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on January 20, 1949 with Red Skelton and Janet Blair reprising their film roles. See more »

Quotes

Ann Elliot: [repeated line, about to knock Keenan Wallick out] Sorry, Mr. Wallick!
See more »

Connections

Followed by The Fuller Brush Girl (1950) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Helter Skelton
4 October 2008 | by (United Kingdom) – See all my reviews

Red Skelton was one of the most famous and best-loved comedians in America from the 1940s to 1971. Everybody was always talking about him and looking forward to his TV show every week. He was a national icon. He played a lovable simple fool, in the tradition of Harry Langdon and Stan Laurel. His remarkable comic abilities were never properly captured in his films because there were never enough closeups for us to see the details of his comedic effects. For instance, in this film there is one wonderful scene where he thrusts his lower jaw out more than one could think possible and impersonates someone who wanted to help his friend by 'being a spare ashtray'. The trouble is, we get to see this only in badly lit long shots! This film was the fourth time Skelton was directed by S. Sylan Simon, who made one more film and died tragically at the age of only 41. But Simon never did justice to Skelton's special qualities, and Skelton's producers also saw him as just a useful clown. In fact, with proper handling and loving attention by an inspired director, Skelton could have achieved high art, of which he was well capable, since he was a a truly great clown. In this film, his girl friend who is a perfect foil was the lively Janet Blair, just as American as apple pie and absolutely right for 1948. The script has some great gags in it. At one point, where Skelton is being used as 'allure practice' by a siren, she says to him: 'I usually have men eating out of my hand.' Skelton replies with childlike innocence: 'I've already had my lunch.' Maybe nobody remembers any more about Fuller brush salesmen, but they used to be everywhere. There were more of them than neighbourhood cats and dogs. Yes, they really existed, and 'get in the door' was their motto, just as in this film. The Fuller Brush Company really existed too, and maybe the producer got a big product placement bonus in his pocket, or his studio did. This film was so successful, it was followed by 'The Fuller Brush Woman', starring the wacky Lucille Ball. Certainly Fuller brushes were familiar to every American, in the way that Tupperware was. This film has a spectacular closing chase sequence with some truly amazing sight gags, a few of which rival Buster Keaton's, but they are filmed so badly that much of their impact is lost. Whoever designed them was brilliant. It is a very long and very astonishing sequence which anyone interested in such things really needs to see. I found myself wishing it could all be recreated and shot properly. What was lacking from Skelton's films was the care and imagination to match his innate genius. But if you like Skelton and want to see him in top form, watch this one. The fact that it could have been so much better is something you just have to put up with. It may be corny, but it is never dull.


8 of 11 people found this review helpful.  Was this review helpful to you?

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