Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further ... See full summary »
Audiences always roared with delight when Red Skelton went one-on-one with post-war life in The Yellow Cab Man, The Fuller Brush Man and other films. In Half a Hero, the legendary comic ... See full summary »
Once a famous Ziegfeld star, Dodo Delwyn, is reduced to playing clowns in burlesque and amusement parks as a result of his drinking. His son Little Dink idolizes Dodo and faithfully ... See full summary »
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
Director William A. Wellman adds another to his long line of salutes-to-aviation films in this bio of an aviation pioneer, John Montgomery (Glenn Ford.) In 1883 he built a practical glider ... See full summary »
Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect. Written by
Daniel Bubbeo <email@example.com>
A major part of the movie involves a murder and a disappearing dagger. Red Skelton's character discovers someone has made the dagger by soaking the handle of one of his brushes in hot water and reshaping it. When the handle is put back into hot water it returns to its original shape. After trying numerous ways to make this look realistic with special effects the producers finally went to a plastics company and had them actually develop a "memory plastic". It was such a big story that it was in an article covered in "Life" magazine. See more »
The opening scenes of "The Fuller Brush Man" are hardly promising: Red Skelton, playing a ne'er-do-well who can't hold a job, hopes to impress his lady-love with his skills as a door-to-door salesman, not knowing that he's been sent to the worst neighborhood in town by his adversary, his gal's other boyfriend. Seeing charming Skelton (with his happy chatter and lilting walk) being set-up as a chump is awfully sour, and the slapstick chaos which ensues isn't funny as a result. Thankfully, writer Frank Tashlin quickly gets off this baleful track, turning the proceedings instead into a comedic murder mystery, with Red one of the suspects in the killing of his former boss. The new plot thread--while neither original nor ingenious--does allow Skelton lots of funny business as an actor, with Janet Blair the perfect counterpart to Red's unintentional hero. The wild, free-for-all finale in a warehouse has staging and stunt-work as good as anything from the silent era, if not better. No wonder this was a box-office smash in 1948--it leaves the audience with a succession of happy highs. Followed two years later by "The Fuller Brush Girl". *** from ****
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