Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further ...
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Eddie sells his song to a Broadway producer and also lands a job dancing in the musical. He sends for his dance partner-fiancée Molly who brings her younger sister Pat. Upon seeing Molly ... See full summary »
Rita Wilson meets epidemiologist Chris Claybourne and they fall in love with each other. When Claybourne leaves for the tropics to find a cure against a disease, Wilson gets her revenge by ... See full summary »
W.S. Van Dyke
Lee White, recently married to Katherine Bryant, eyes a vacation from marital responsibilities when Katherine goes out of town to attend a friend's wedding. But he soon becomes bored and ... See full summary »
Alexander Botts is a self-described natural born salesman and master mechanic, who is trying to make a big sale of Earthworm tractors to grouchy lumberman Johnson. Since Botts doesn't ... See full summary »
It's just after the civil war when the elderly outlaw Bascomb and his gang try to rob a bank. They run into a trap as officers are waiting in ambush. Bascomb and the cold blooded killer ... See full summary »
S. Sylvan Simon
Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The warehouse at the dock (exteriors, at least) was the El Monte Legion Stadium---originally the El Monte (CA) Union High School gymnasium, built in 1927. The stadium (interior) also served for televised wrestling matches, Roller Derby, and Cliffie Stone's "Hometown Jamboree" (with '50's C&W stars such as Tennessee Ernie Ford, Molly Bee and others). L.A. disk jockey, Art Laboe, brought "name" R&R performers for dances/concerts through the '60's. The stadium was sadly demolished in 1974. See more »
[to a grandmother with a bratty child]
Here Grandma, a complimentary brush, sorry we don't have one with a nail in it.
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Red Skelton was one of the most famous and best-loved comedians in America from the 1940s to 1971. Everybody was always talking about him and looking forward to his TV show every week. He was a national icon. He played a lovable simple fool, in the tradition of Harry Langdon and Stan Laurel. His remarkable comic abilities were never properly captured in his films because there were never enough closeups for us to see the details of his comedic effects. For instance, in this film there is one wonderful scene where he thrusts his lower jaw out more than one could think possible and impersonates someone who wanted to help his friend by 'being a spare ashtray'. The trouble is, we get to see this only in badly lit long shots! This film was the fourth time Skelton was directed by S. Sylan Simon, who made one more film and died tragically at the age of only 41. But Simon never did justice to Skelton's special qualities, and Skelton's producers also saw him as just a useful clown. In fact, with proper handling and loving attention by an inspired director, Skelton could have achieved high art, of which he was well capable, since he was a a truly great clown. In this film, his girl friend who is a perfect foil was the lively Janet Blair, just as American as apple pie and absolutely right for 1948. The script has some great gags in it. At one point, where Skelton is being used as 'allure practice' by a siren, she says to him: 'I usually have men eating out of my hand.' Skelton replies with childlike innocence: 'I've already had my lunch.' Maybe nobody remembers any more about Fuller brush salesmen, but they used to be everywhere. There were more of them than neighbourhood cats and dogs. Yes, they really existed, and 'get in the door' was their motto, just as in this film. The Fuller Brush Company really existed too, and maybe the producer got a big product placement bonus in his pocket, or his studio did. This film was so successful, it was followed by 'The Fuller Brush Woman', starring the wacky Lucille Ball. Certainly Fuller brushes were familiar to every American, in the way that Tupperware was. This film has a spectacular closing chase sequence with some truly amazing sight gags, a few of which rival Buster Keaton's, but they are filmed so badly that much of their impact is lost. Whoever designed them was brilliant. It is a very long and very astonishing sequence which anyone interested in such things really needs to see. I found myself wishing it could all be recreated and shot properly. What was lacking from Skelton's films was the care and imagination to match his innate genius. But if you like Skelton and want to see him in top form, watch this one. The fact that it could have been so much better is something you just have to put up with. It may be corny, but it is never dull.
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