8 items from 2015
We still love John Ford's bitter-sentimental look back at the lost Myth of the West. John Wayne and James Stewart are at least thirty years too old for their roles, but everything seems to be happening in a foggy reverie, so what's the difference, Pilgrim? Great comedy and Lee Marvin's marvelous villain, plus the assertive 'print the Legend' message that's been hotly debated ever since. The Man Who Shot Liberty Valance Blu-ray Warner Home Video / Paramount 1962 / B&W / 1:85 widescreen / 123 min. / Street Date October 13, 2015 / 14.98 Starring John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan, John Qualen, Willis Bouchey, Carleton Young, Woody Strode, Denver Pyle, Strother Martin, Lee Van Cleef Cinematography William H. Clothier Production Designer Eddie Imazu & Hal Pereira Film Editor Otho Lovering Original Music Cyril J. Mockridge Writing credits James Warner Bellah & Willis Goldbeck from a story by »
- Glenn Erickson
Ahead of American Ultra’s release in UK cinemas, we look at the rise of the stoner in film, from the 30s to the present...
"The motion picture you are about to witness may startle you. It would not have been possible, otherwise, to sufficiently emphasize the frightful toll of the new drug menace which is destroying the youth of America in alarmingly increasing numbers. Marihuana is that drug - a violent narcotic - an unspeakable scourge - the Real Public Enemy Number One!
So reads the opening crawl to the now infamous film Reefer Madness. Originally released in 1936, it was designed as a hard-hitting expose of marijuana and its inherent dangers. The drug could cause "violent, uncontrollable laughter," the movie's introduction read. It could induce "dangerous hallucinations," "monstrous extravagances," all eventually leading to "shocking acts of physical violence... ending often in incurable insanity."
Reefer Madness was one of many »
"Glory, something some men chase and others find themselves stumbling upon, not expecting to find them. Either way it is a noble gesture that one finds bestowed upon them. My question is when does glory fade away and become a wrongful crusade, or an unjustified means by which consumes one completely?"Clint Eastwood’s American Sniper is a movie about men who salute the country that betrayed and mutilated them.Like in Manoel de Oliveria’s No, or the Vain Glory of Command, where men, their arms cut off, struggle to hold uphold the flag of their country. As Mr. Lewis says:“We live in a democracy, gentlemen! And in a democracy, it’s every mans right to be killed fighting for his country!” Some men can be changed. It is possible to find a new consciousness:“Those machine guns are in position. It would mean needless slaughter to oppose us now! »
- Neil Bahadur
Hondo (1953), which is set to play June 13 - July 4 at the Museum of Modern Art as part of their "3-D Summer" series, was John Wayne's first Western in three years. It was produced by his own Wayne/Fellows Productions (later named Batjac), founded just the year prior by Wayne and producer Robert Fellows. And James Edward Grant, who had already written several Wayne features and had a particular flair for writing classic John Wayne dialogue, penned the screenplay. All told, one gets the sense that everything about this exemplary return to the genre was a carefully conscious decision by the iconic American star. Hondo is a definitive Western. Moreover, it's a definitive John Wayne Western.When Wayne made Hondo, his masculine persona was already firmly established. After viewing the film at one point, Wayne supposedly declared, "I'll be damned if I'm not the stuff men are made of." Such a comment, »
- Jeremy Carr
Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Camp X-Ray Amy Cole (Kristen Stewart) left her small town behind and joined the U.S. Army, but her first assignment isn’t quite the heroic, globe-spanning endeavor she imagined. She’s assigned to a guard position at Guantanamo Bay where she comes face to face with the enemy, but some of the men she sees before her seem far removed from the bloodthirsty Muslim terrorists they’re supposed to be. Cole strikes up a friendship with one man in particular, Ali (Peyman Moaadi), and over the course of a year the two discover the world of grey between them in this supposedly black and white conflict. Writer/director Peter Sattler’s film walks a fine line in allowing its characters to tread both sides of the moral divide without claiming a political stance. Cole »
- Rob Hunter
It's fitting that Clint Eastwood and John Wayne both have the same birthday week. (Wayne, who died in 1979, was born May 26, 1907, while Eastwood turns 85 on May 31). After all, these two all-American actors' careers span the history of that most American of movie genres, the western.
Both iconic actors were top box office draws for decades, both seldom stretched from their familiar personas, and both played macho, conservative cowboy heroes who let their firearms do most of the talking. Each represented one of two very different strains of western, the traditional and the revisionist.
As a birthday present to Hollywood's biggest heroes of the Wild West, here are the top 57 westerns you need to see.
57. 'Meek's Cutoff' (2010)
Indie filmmaker Kelly Reichardt and her frequent leading lady, Michelle Williams, are the talents behind this sparse, docudrama about an 1845 wagon train whose Oregon Trail journey goes horribly awry. It's an intense »
- Gary Susman
Burbank, Calif. May 19, 2015 – On June 2, Warner Bros. Home Entertainment (Wbhe) will release The John Wayne Westerns Film Collection – featuring five classic films on Blu-ray™ from the larger-than-life American hero – just in time for Father’s Day. The Collection features two new-to-Blu-ray titles, The Train Robbers and Cahill U.S. Marshal plus fan favorites Fort Apache, The Searchers and a long-awaited re-release of Rio Bravo. The pocketbook box set will sell for $54.96 Srp; individual films $14.98 Srp.
Born Marion Robert Morrison in Winterset, Iowa, John Wayne first worked in the film business as a laborer on the Fox lot during summer vacations from University of Southern California, which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies and dramas. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western, »
- firstname.lastname@example.org (Cinema Retro)
Actress Movita Castaneda — the second of Marlon Brando’s three wives, who appeared in such films as Mutiny on the Bounty opposite Clark Gable and Fort Apache with John Wayne — has died. She was believed to be 98. Castaneda died Thursday in a Los Angeles rehabilitation center after suffering a neck injury, a family friend told the Los Angeles Times. Castaneda played Tehani, a beautiful Tahitian who marries one of the insurgent sailors, in the 1935 version of Mutiny on the Bounty. The film was remade in 1962 with Brando, then Castaneda’s husband, playing the Gable role of Fletcher Christian. In
- Mike Barnes
8 items from 2015
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners