A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
In John Ford's sombre exploration mythologising of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
Henry Fonda had his own personal problems at this time: lack of rewarding roles; the difficulties of shooting his last movie with John Ford, The Fugitive (1947), and its complete failure at the box office; failed marriages; alienation from his children and some of his friends over the years. His biographer Peter Collier asserts that "the ramrod cavalry martinet he played in John Ford's 'Fort Apache' was perhaps closest to his off-screen personality at this time." See more »
(at around 1h) The camera pans to the left and to the lower left hand corner coming out from behind the Apache, in the distance (about 1/4 mile), you can see a vehicle racing down the road. See more »
Director John Ford's first entry in his cavalry trilogy is this excellent film about life on a military outpost far from the glamorous theaters of the Indian Wars on the northern plains. The film touches on character development of the officers and enlisted men on the post, family relationships and the class distinctions among the military social order. Henry Fonda is great as a bitter, unhappy colonel who feels unappreciated by the military hierarchy and is displeased by his assignment to the isolated desert areas. John Wayne gives the film just the right balance as a captain who looks out for his men and knows Indians. Ford has his regular cast on board for the film, and John Agar and Shirley Temple handle the romantic clinches. The pace is slowed somewhat by comedy bits that add nothing to the film's substance. The black and white camera work is stunning and the music is reflective and melancholy.
23 of 34 people found this review helpful.
Was this review helpful to you?