Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
Deep into the territory of the great Apache chief, Cochise, the demoted Civil War general, Lieutenant Colonel Owen Thursday, reports for duty as a commanding officer at the remote U.S. cavalry outpost known as Fort Apache, along with his daughter, Philadelphia. There, the arrogant commander will soon lock horns with the realistic and sensible second-in-command, Captain Kirby York, who, as an expert in the local Apaches, disagrees with Thursday who wants to make a name for himself in the Arizona frontier. In the end, is it wise to engage in battle when personal glory is all you seek? Written by
During shooting of one scene, it began to rain, but John Ford kept right on filming. Henry Fonda later noted that although you didn't see the rain on screen, the light moisture on the leather of the saddle and harness added an unusual quality. "That was Pappy taking advantage of whatever presented itself," Fonda said. See more »
The song "You're In The Army Now" is played after a four-man team of cavalrymen drink contraband whiskey and end up in the guardhouse. This movie is set in 1874, but "You're In The Army Now" wasn't written until 1917. See more »
[Col. Thursday is meeting with Cochise - Beaufort translates from Cochise's spanish into english]
Sgt. Johnny Beaufort:
He says, "The Apaches are a great race," sir. "They've never been conquered. But it is not well for a nation to be always at war. The young men die... the women sing sad songs... and the old ones are hungry in the winter. And so I led my people from the hills. And then came this man.
Lt. Col. Thursday:
[Cochise speaks more - Beaufort pauses]
What did he say?
Sgt. Johnny Beaufort:
Well, sir, a free translation would be ...
[...] See more »
"Fort Apache" is the movie of respect. John Ford's message seems to be that everybody deserves respect. First of all, as natural in Ford's poetic ideology, the simple, low-class horse soldiers, with their sense of community, their sober courage, their stoic dedication to duty. Also the veteran officers Capt. York (John Wayne) and Capt. Collingwood (George O' Brien) share these plain but strong feelings with lower ranks, and have a deep friendship towards them. Then the Indians, here the Apaches, are represented as noble, brave, fair warriors, forced to war only by patent injustice. Important is the scene in the finale, when the winning Apaches nobly spare John Wayne and the other soldiers of the supply lines.
But Ford in not yet satisfied: even the arrogant, dumb, haughty colonel Thursday (Henry Fonda) deserves respect. His problem is that he's stupid, that's all. Actually, Thursday is a pathetic figure: he is the unique miserable character in the film, mainly because he is alone, an out-cast in the tight community of other soldiers. Moreover he is frustrated in his ambitions of career, and he is, in some sense, constantly humiliated in his pride by the veterans of Fort Apache. For instance, Thursday arrogantly wonders why the son of Sgt. O' Rourke (Ward Bond) was admitted to become an officer; but he readily realizes that the sergeant got this privilege from his outstandingly heroic actions on the battle-field, something that Thursday probably had always dreamed and never got. The priceless experience of the veteran officers is always understated by Thursday, in a somewhat childish, whimsical way. But perhaps he has a guess that he's wrong, and his reaction is to close himself into an armour of upper-class-pride, scorning the love of her daughter for the sergeant's son.
However, the movie develops through magnificent images of the Monument Valley, subtle psychological touches, sense of humor, moments of emotion, action, suspense. Then we get to a great scene that proves how cinema can be deep art. The horse soldiers are ready for the final attack; everybody is perfectly conscious that they will be slaughtered by the Apaches... everybody but the dumb colonel. They accept their fate quietly: well, their job is to face death, possibly to die in the most idiotic way, why not? This seems nonsense nowadays, but here Ford gives us a perfect representation of the spirit of the Nineteenth Century. Then, suddenly, Thursday accuses York of cowardice and commands him to the supply line, together with the reluctant Lt. O' Rourke (John Agar). Then York, in a plain way, informs Sgt. O' Rourke that his son will not participate to the suicide attack. These news immediately raise the spirits of the soldiers: not caring their own deaths, they roar an hurrah. The boy (their son) is safe, he will marry his girl, they will have children, the life will continue. Here Ford touches an extremely profound chord, something even deeper than our human souls, the core of our animal essence. Here we have the instinct of the mammal which offers itself to the predator, in order to save its puppies.
The remainder of the finale, with the ambush and the partial redemption of Thursday, is superbly filmed and crowns a timeless masterpiece of cinema: "Fort Apache".
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