A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
In John Ford's sombre exploration mythologising of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
Shirley Temple and John Agar were married at the time the movie was made, but went through a highly publicized divorce complete with allegations of spousal abuse, infidelity and alcoholism a couple of years later. See more »
The song "You're In The Army Now" is played after a four-man team of cavalrymen drink contraband whiskey and end up in the guardhouse. This movie is set in 1874, but "You're In The Army Now" wasn't written until 1917. See more »
[Co. Thursday has rejoined his men who are pinned down by the Apaches. RSM O'Rourke hands him a pistol]
Lt. Col. Thursday:
Sergeant-Major O'Rourke... my apologies, sir.
RSM Michael O'Rourke:
You can save them, sir, for our grandchildren.
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Director John Ford's first entry in his cavalry trilogy is this excellent film about life on a military outpost far from the glamorous theaters of the Indian Wars on the northern plains. The film touches on character development of the officers and enlisted men on the post, family relationships and the class distinctions among the military social order. Henry Fonda is great as a bitter, unhappy colonel who feels unappreciated by the military hierarchy and is displeased by his assignment to the isolated desert areas. John Wayne gives the film just the right balance as a captain who looks out for his men and knows Indians. Ford has his regular cast on board for the film, and John Agar and Shirley Temple handle the romantic clinches. The pace is slowed somewhat by comedy bits that add nothing to the film's substance. The black and white camera work is stunning and the music is reflective and melancholy.
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