A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
In John Ford's sombre exploration mythologising of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
Cinematographer Archie Stout and John Ford used infrared black-and-white film stock, developed originally for medical and scientific researches and which doesn't sense the blue and records that color as black, in many exterior scenes shot in the Monument Valley to enhance the clouds and the rock formations. Ford learned that technique from Mexican cinematographer Gabriel Figueroa that he worked with for The Fugitive (1947). See more »
As the regiment is heading out, we see Philadelphia standing to the far left of Mrs. Collingwood and Mrs. O'Rourke. Soon after, she is on the far right, which indicates she moved. However, right after the close-up of her standing on the far right, the next immediate long-shot has her standing on the far left again. See more »
[in the storeroom at Meacham's trading post, the soldiers find boxes marked "Bibles" - Col. Thursday tells the men to open them - when they do, they find kegs of whiskey instead]
Lt. Col. Owen Thursday:
[Col. Thursday hands a cup to Sgt. Mulcahy]
Sergeant, pour me some scripture.
[Sgt. Mulcahy dips the cup into a keg and hands it to Col. Thursday. He takes a sip and spits it out]
Lt. Col. Owen Thursday:
What's in this? Brimstone and sulfur?
You know what it is and I'm entitled to keep it.
Lt. Col. Owen Thursday:
Your license may permit you to keep a ...
[...] See more »
John Ford's FORT APACHE is the first of a three-film cycle chronicling the exploits of the U.S. Cavalry in the settling of the West, but it is far more than that; as a thinly-disguised reworking of the George Armstrong Custer story, it provides insight about a leader so blinded by his own ambition and ego that his actions nearly wipes out his command, and would have to be 'covered-up' by an Army that always protects its 'own'. Ironically, in whitewashing his actions, he becomes a national hero, giving him, posthumously, the attention he'd craved. The story is a powerful one, and in the hands of a top-notch cast, FORT APACHE is as timely today as when it was first released.
Henry Fonda's Lt.Col. Owen Thursday is a complex, driven man, a martinet who considers his transfer to the western outpost as a slap in the face by the War Department. Accompanied by his daughter, Philadelphia (a grown-up and vivacious Shirley Temple), he arrives at Fort Apache early, and discovers the welcoming festivities are not for him, but for the return of the son of Sgt.Major O'Rourke (Ward Bond), a new second lieutenant, fresh from West Point. The younger O'Rourke, portrayed by John Agar, and Philadelphia are immediately attracted to one another (they were married, off screen), but, displaying a 'class' snobbery, Col. Thursday nixes any chance of an officer's daughter and an enlisted man's son (even if he is an officer) having a romance.
As the new commander, Thursday shows an insensitivity to both his own men (he rebukes former commander Capt. Collingwood, played by George O'Brien, in front of the other officers), and the intellectual and tactical skills of the Indians (drawing the ire of John Wayne, as Capt. Kirby York). He does convince York that he is interested in parlaying with Cochise, however, and soon York, whom the chief respects, is on his way to Mexico, to get him to cross the border for a meeting between the two leaders and the corrupt Indian agent (Grant Withers) whose actions had led to the current insurrection.
Ultimately, Cochise does cross the Rio Grande, and Thursday reveals his true plan; to demand a return to the reservation, or face annihilation. York feels betrayed, and warns Thursday that he's setting himself up for a massacre, especially as the commander intends to bring his entire command to the meeting. Thursday simply sneers at his warning, sarcastically suggesting that York is crediting Cochise as being as brilliant as Napoleon.
The meeting is brief, with Thursday showing no respect, and, sure enough, ends disastrously. Cochise, prepared for a potential betrayal, has lined the canyon walls beyond the meeting place with hundreds of sharpshooters, and, despite York's warnings (leading to his being branded by Thursday a 'coward', and ordered to remain with a rear guard), the Colonel leads his command in a charge, into the canyon...
In an unsympathetic role, Henry Fonda is marvelous, actually making Col. Thursday believable, if not likable. John Wayne, despite star billing, is actually secondary, plot-wise, but is excellent as the officer who learns, finally, what it means to command, by watching the wounded Thursday return to his command, and face certain death.
Major subplots of all three 'Cavalry' films would be devoted to Sergeants, and FORT APACHE offers four truly memorable ones, in Bond, Pedro Armendariz, Victor McLaglen, and Dick Foran.
FORT APACHE is a film that could easily stand alone as a superb drama; as the first of the trilogy, it set a high standard, and is considered by most critics as the finest of the three films.
It is unforgettable!
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