Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
In John Ford's sombre exploration mythologising of American heroes, he slowly reveals the character of Owen Thursday, who sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, Thursday attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
A mainstay on the set was Danny Borzage, brother of director Frank Borzage, who John Ford would hire as a bit player so Danny could be around to play the director's favorite songs on the accordion between takes to keep the mood lively. Michael Wayne recalled that sometimes the sound of Borzage's accordion, or someone singing without accompaniment, would be all that pierced the silence at night, while heat lightning flashed in the distance. See more »
As the regiment is heading out, we see Philadelphia standing to the far left of Mrs. Collingwood and Mrs. O'Rourke. Soon after, she is on the far right, which indicates she moved. However, right after the close-up of her standing on the far right, the next immediate long-shot has her standing on the far left again. See more »
[Yorke and Beaufort enter the dance after returning from their meeting with Cochise]
Cochise has crossed the river, sir. He's coming in with all his people; wants to talk peace.
Lt. Col. Thursday:
He's returned to American soil?
Yes, sir. Now with the Colonel's permission, I'd like to shake some of this Mexican 'dobe dust and get back to the dance.
Lt. Col. Thursday:
There'll be no time for that, Captain. The regiment moves out at dawn.
The regiment? Cochise says he'll meet with you and me and Meacham. We'll take a small detail and ...
[...] See more »
I know that many consider Red River or The Searchers to be Wayne's greatest cowboy movies, but for me, you can't get better than Fort Apache. It is the first of John Ford and John Wayne's cavalry trilogy and is the best of the lot.
I think the most interesting thing about the film is its rather sympathetic view of the American Indians--they were shown as being decent and 3-dimensional and Wayne repeatedly stressed the importance of our country keeping its word of honor to them as well. In fact, it was very funny seeing Wayne portraying the voice of reason while Henry Fonda was more of a martinet and could have cared less about honor and truth.
Along the way, these two great actors are supported by old familiars like Victor McLaglen and Ward Bond, as well as Shirley Temple and her then husband, John Agar. Despite criticism leveled towards Agar by the media over the years (and to a lesser extent, to the adult Temple), I think they did just fine in their roles and made a positive contribution to the movie.
And finally, the action and cinematography is tops. It's hard to imagine a more beautiful black and white film or one where so much care and effort was given to make a great film.
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