A young man asks a hat check girl to pose as his fiancée in order to make his dying father's last moments happy. However, the old man's health takes a turn for the better and now his son ... See full summary »
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially... See full summary »
A young woman at a girl's school in Switzerland makes up stories about and writes herself letters from an imaginary explorer-adventurer father; and is eventually put in a position where she... See full summary »
While waiting at a train station, Nikki Collins witnesses a murder from a nearby building. When she brings the police to the scene of the crime, they think she's crazy since there's no body... See full summary »
Edward Everett Horton
Mary Peppertree, a switchboard operator in the White House, is being courted by three men; Philip Manning, an attorney; Navy Lieutenant Tom Farrington, naval-aide to the President; and David Paxton, whose father owns an island in the Pacific. When the U.S. Navy negotiates for the purchase of the island for a base, David agrees to sell on two conditions - that Philip be made a judge in a court at least 1500 miles from Washigton, and that Lieutenant Farrington be given sea duty. Written by
Les Adams <email@example.com>
This was the last film appearance of Deanna Durbin. On August 22, 1948, two months after the picture wrapped, Universal International announced a lawsuit brought against Miss Durbin for the sum of $87,083 in wages advanced to her. The actress settled the dispute be agreeing to stay on with the studio for an additional three pictures (including a project intended to be shot in Paris). Instead, Universal International simply permitted Deanna's contract to expire on August 31, 1949. Upon leaving the studio after 13 years and 21 features, Deanna was paid $150,000 for the three abandoned films plus another $50,000 owed her for this movie. Miss Durbin then retired from all of show business. In subsequent years, producer Joe Pasternak, Deanna's early mentor at Universal, could not persuade Miss Durbin to resume her film career at MGM, and she would reject two prime female leads offered by the studio: in the Jack Cummings production of Cole Porter's Kiss Me Kate (1953), and in the Pasternak filming of Sigmund Romberg's The Student Prince (1954). See more »
The same cars pass by twice as David talks to Mary at the gate of the White House. See more »
It must be reasons like FOR THE LOVE OF MARY that had Deanna packing her duds and leaving Hollywood for good. Seems that Universal was unable to offer her the kind of scripts she wanted which would offer her more substantial roles than this attempt at light-hearted screwball comedy that never once flies into orbit.
The trouble, aside from some pedestrian direction by Frederick de Cordova and some unimpressive sets and costumes, is that the script is a muddled mess with a plot outline that almost defies description, it's so complicated. Naturally, within the bounds of screwball comedy, all the complications are supposed to make the story hilariously funny--but fail to do so, mainly because it's banal material lacking any real wit or wisdom.
Deanna is a Washington miss who has connections well above those of the average switchboard operator, including Supreme Court judges and even the President who happens to listen in on one of her conversations and decides to meddle in her affairs in choosing the right man for a woman being chased by three men.
DEANNA DURBIN sings some four or five songs nicely in her own lovely soprano voice but it's enough to try anyone's patience if they're waiting to hear her sing when the story is so pedestrian. JEFFREY LYNN as a lawyer suitor, EDMOND O'BRIEN as the eventual swain, and DON TAYLOR as one of the unlucky ones, are simply foils for Durbin with no depth to their roles. RAY COLLINS and HARRY DAVENPORT do what they can in lively supporting roles, but nothing really helps.
Too bad for Durbin fans. She was still fetching to look at and used her voice beautifully but the material is fluff, nothing more, and certainly unworthy of her talents. No wonder she had enough.
5 of 20 people found this review helpful.
Was this review helpful to you?