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Feudin', Fussin' and A-Fightin' (1948)

 -  Comedy  -  June 1948 (USA)
5.6
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Ratings: 5.6/10 from 94 users  
Reviews: 7 user | 1 critic

A fast-talking salesman is "kidnapped" by a town, which intends to use him in its annual race with a rival community.

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Writers:

(screenplay), (story)
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Title: Feudin', Fussin' and A-Fightin' (1948)

Feudin', Fussin' and A-Fightin' (1948) on IMDb 5.6/10

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Cast

Complete credited cast:
...
Wilbur McMurty
Marjorie Main ...
Maribel Mathews
Percy Kilbride ...
Billy Caswell
...
Libby Mathews
...
Sharkey Dolan
Harry Shannon ...
Chauncey
Fred Kohler Jr. ...
Emory Tuttle
Howland Chamberlain ...
Doc Overholt
Edmund Cobb ...
Stage Driver
Joel Friedkin ...
Stage Passenger
...
Guard
The Sportsmen Quartet ...
The Quartette (voice)
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Storyline

A fast-talking salesman is "kidnapped" by a town, which intends to use him in its annual race with a rival community.

Add Full Plot | Add Synopsis

Plot Keywords:

salesman | small town

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

June 1948 (USA)  »

Also Known As:

The Wonderful Race at Rimrock  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

D.D. Beauchamp's original story first appeared in Collier's Magazine. See more »

Soundtracks

"Feudin' and Fightin'"
Written by Burton Lane and Al Dubin
See more »

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User Reviews

 
Nice production; weak comedy
2 June 2010 | by (New York, NY) – See all my reviews

This is a very pleasant picture with a terrific cast. But it has one glaring problem - the comedy sequences are weak at best. D.D. Beauchamp wrote the story and screenplay. Beauchamp had previously written Universal's THE WISTFUL WIDOW OF WAGON GAP, but on that picture he had help from the excellent Bob Lees and Fred Rinaldo, as well as Abbott & Costello specialist John Grant. On FEUDIN', Beauchamp was all alone and the comedy sequences are flat as a pancake. In fact, the "gimick" that is employed in the race finale is also very weak. Nor was the director, George Sherman, particularly strong on comedy. His specialty was oaters (of which this is indeed one). The strength of the picture is to be found in the personalities of O'Connor, Main and Kilbride (not playing the Kettles). O'Connor's dance routines are a nice diversion and I'm sure nobody cared that "Me and My Shadow" was written long after this picture is supposed to take place. This could have been a very, very good picture if only there had been some comedy experts on the job. But Universal had recently changed hands and Messrs. Spitz and Goetz were miserly on their non-prestige products. Even Joe Besser has virtually nothing to do that exploited his many comic talents. If you enjoyed this picture, do yourself a favor and seek out THE WISTFUL WIDOW OF WAGON GAP. You'll have a really good time with that one.


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