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Enchantment (1948)

 -  Drama | Romance  -  25 December 1948 (USA)
7.3
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Ratings: 7.3/10 from 563 users  
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Uncle Rollo finally retires to the house he was brought up in. Lost in thoughts of his lost love, Lark, he does not want to be disturbed in his last days. However, the appearance of his ... See full summary »

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Title: Enchantment (1948)

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Cast

Cast overview, first billed only:
...
...
Lark Ingoldsby
...
Grizel Dane
...
Pilot Officer Pax Masterson
...
Selina Dane
...
Proutie
Philip Friend ...
Pelham Dane
Shepperd Strudwick ...
Marchese Del Laudi
Henry Stephenson ...
General Fitzgerald
Colin Keith-Johnston ...
The Eye
...
Lark as a Child
Peter Miles ...
Rollo as a Child
Sherlee Collier ...
Selina as a Child
Warwick Gregson ...
Pelham as a Child
Marjorie Rhodes ...
Mrs. Sampson
Edit

Storyline

Uncle Rollo finally retires to the house he was brought up in. Lost in thoughts of his lost love, Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and the subsequent romance between her and Lark's nephew causes him to reevaluate his life and offer some advice so the young couple don't make the same mistake he did, all those years ago. Written by Mark Harding <mah@imdb.com>

Plot Summary | Add Synopsis

Plot Keywords:

love | house | nephew | jealousy | party | See All (33) »

Taglines:

AN Enchanting LOVE STORY! See more »

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

25 December 1948 (USA)  »

Also Known As:

A Fugue in Time  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on March 24, 1949 with David Niven, Teresa Wright and 'Jayne Meadows' reprising their film roles of General Roland Dane, Lark Ingoldsby and Selina Dane respectively. See more »

Quotes

Lark Ingoldsby: You'll listen to reason, not to me. The Danes have always listened to the reasons instead of their hearts.
General Sir Roland Dane a.k.a Rollo: Let's not get angry.
Lark Ingoldsby: I am not angry, I'm lost. Pelham is in love with me. I can't stay here and hurt him.
General Sir Roland Dane a.k.a Rollo: Pelham?
Lark Ingoldsby: Selina knows that if you go without me I must leave this house, too. I can't wait for you, Rollo!
See more »

Soundtracks

Galop Polka
(uncredited)
Music by Thomas Chambers
See more »

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User Reviews

 
Handsome, tastefully produced romance with a warm glow...
21 August 2006 | by (U.S.A.) – See all my reviews

The 1940s seemed to be the decade of the romantic "women's films" featuring stars like Bette Davis, Merle Oberon, Olivia de Havilland and others. And Samuel Goldwyn had the good taste to hire the best script writers, the best cinematographers, the best musicians, and the best available actors to play in all of his films.

None was more romantic than ENCHANTMENT and it has a warm glow about it, despite being a tale of unrequited love whereby an elderly man (DAVID NIVEN in convincing age make-up) recalls his younger days and his sweetheart (TERESA WRIGHT) who leaves him because of a misunderstanding caused by his neurotic sister (JAYNE MEADOWS).

When a young woman ambulance driver (EVELYN KEYES), who happens to be his niece, comes to stay in the grand old house during the London blitz of World War II, he advises her not to make the same mistake he did in following his true love. Result: a happy ending for Keyes and her pilot lover FARLEY GRANGER when she goes rushing after him during an air raid.

The tale is told in a clever use of flashbacks from one generation to the other, and all of it is photographed in crisp B&W splendor by Gregg Toland with a quietly effective musical score by Hugo Friedhofer. It's a handsomely mounted production, tastefully done without overdoing the sentimentality of the tale. LEO G. CARROLL is excellent as Niven's servant, realistically aged for the part of the tale that takes place in the present.

Highly recommended as a quality picture of its kind.

It's also a sad reminder of the fact that after leaving Samuel Goldwyn under the contract system, TERESA WRIGHT's screen career floundered and she soon found that she had to work for lesser salaries in films not worthy of her presence. She became a free agent but admitted that it turned out to be a huge mistake.


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