During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong ? Written by
Stephan Eichenberg <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 26, 1949 with Bing Crosby reprising his film role. See more »
In this, our moment of sorrow, I venture to offer some consolation. There will be other days. She'll give us some puppies yet.
Yes, that's the way to look at it. Come spring and we can count on another litter.
Hmmm... the question is - can I count on another spring?
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According to a new book out on Billy Wilder, Wilder had a much different film in mind than what emerged here. He was a contract director for Paramount at the time this was made with a few hits under his belt. And he was assigned to direct this film with Bing Crosby who was the biggest name in movies when this came out.
Crosby had a whole different film in mind and what Bing wanted Paramount gave him at that point. Wilder wanted a biting satire on the Franz Joseph court and he also wanted a the killing of the puppies, the offspring of Crosby's and Joan Fontaine's dogs to be an allegory for genocide. Crosby knew what his audiences expected from him and he opted for a lighter treatment.
The result was a second rate Billy Wilder movie, but a first class Bing Crosby film. Unlike in the thirties when Paramount just depended on Crosby's personality to put over a film, they gave this one the full A treatment. The outdoor sequences were shot in the Canadian Rockies and they serve as a great Alpine background. Though its muted, Wilder still gets some of his cynical point of view into Crosby's phonograph salesman who woos a member of Viennese royalty played by Joan Fontaine. Roland Culver who is Fontaine's father is also pretty good as the impoverished count who is quite willing to sell his title in marriage to anyone who can afford him.
Great vehicle for the winning Crosby personality.
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