The Emperor Waltz (1948)

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Ratings: 6.2/10 from 988 users  
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A brash American gramophone salesman tries to get Emperor Franz Joseph's endorsement in turn-of-the-century Austria.


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Nominated for 2 Oscars. Another 1 nomination. See more awards »
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Complete credited cast:
Roland Culver ...
Lucile Watson ...
Harold Vermilyea ...
Sig Ruman ...
Julia Dean ...
Bert Prival ...
Alma Macrorie ...
Inn Proprietress
Roberta Jonay ...
John Goldsworthy ...


Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong ? Written by Stephan Eichenberg <>

Plot Summary | Add Synopsis


Paramount's Crowning Entertainment Achievement! Bing's Best Songs!


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Parents Guide:






Release Date:

2 July 1948 (USA)  »

Also Known As:

A Valsa do Imperador  »

Box Office


$4,070,248 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)



Aspect Ratio:

1.37 : 1
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Did You Know?


The audio to the Emperor Waltz song was used for a Schiller Reel on Saturday Night Live, Dec 17, 1988: "Love is a Dream", featuring Phil Hartman and Jan Hooks, directed by Tom Schiller. See more »


Isabella: Who is he?
Elderly nobleman: The most vulgar, impossible, obnoxious, ill-mannered...
Princess Bitotska: In one word, he's an American!
See more »


Referenced in Edith Head: The Paramount Years (2002) See more »


Get Yourself a Phonograph
Music by Jimmy Van Heusen
Lyrics by Johnny Burke
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User Reviews

A great vehicle for Crosby
16 April 2004 | by (Buffalo, New York) – See all my reviews

According to a new book out on Billy Wilder, Wilder had a much different film in mind than what emerged here. He was a contract director for Paramount at the time this was made with a few hits under his belt. And he was assigned to direct this film with Bing Crosby who was the biggest name in movies when this came out.

Crosby had a whole different film in mind and what Bing wanted Paramount gave him at that point. Wilder wanted a biting satire on the Franz Joseph court and he also wanted a the killing of the puppies, the offspring of Crosby's and Joan Fontaine's dogs to be an allegory for genocide. Crosby knew what his audiences expected from him and he opted for a lighter treatment.

The result was a second rate Billy Wilder movie, but a first class Bing Crosby film. Unlike in the thirties when Paramount just depended on Crosby's personality to put over a film, they gave this one the full A treatment. The outdoor sequences were shot in the Canadian Rockies and they serve as a great Alpine background. Though its muted, Wilder still gets some of his cynical point of view into Crosby's phonograph salesman who woos a member of Viennese royalty played by Joan Fontaine. Roland Culver who is Fontaine's father is also pretty good as the impoverished count who is quite willing to sell his title in marriage to anyone who can afford him.

Great vehicle for the winning Crosby personality.

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