| Photos (see all 19 | slideshow) |
| Judy Garland | ... | Hannah Brown | |
| Fred Astaire | ... | Don Hewes | |
| Peter Lawford | ... | Jonathan Harrow III | |
| Ann Miller | ... | Nadine Hale | |
| Jules Munshin | ... | Headwaiter François | |
| Clinton Sundberg | ... | Mike the Bartender | |
| Richard Beavers | ... | Singer ("The Girl on the Magazine Cover") | |
| rest of cast listed alphabetically: | |||
| John Albright | ... | Western Union Messenger (uncredited) | |
| Lola Albright | ... | Hat Model / Showgirl (uncredited) | |
| Shirley Ballard | ... | Showgirl (uncredited) | |
| Jimmy Bates | ... | Boy (uncredited) | |
| Hal Bell | ... | Dancer (uncredited) | |
| Margaret Bert | ... | Florist (uncredited) | |
| Ralph Brooks | ... | Diner at Rooftop Show (uncredited) | |
| Peter Chong | ... | Sam - Don's Valet (uncredited) | |
| Jimmie Dodd | ... | Cabby (uncredited) | |
| Dolores Donlon | ... | Showgirl (uncredited) | |
| Fern Eggen | ... | Salesgirl (uncredited) | |
| Harry Fox | ... | Desk Clerk (uncredited) | |
| Sig Frohlich | ... | Callboy (uncredited) | |
| June Gale | ... | Minor Role (uncredited) | |
| Ruth Hall | ... | Showgirl (uncredited) | |
| Sam Harris | ... | Backstage Well-Wisher / Diner at Rooftop Show (uncredited) | |
| Hector and His Pals | ... | Themselves (uncredited) | |
| Helene Heigh | ... | Hat Shop Owner (uncredited) | |
| Shep Houghton | ... | Specialty Dancer (uncredited) | |
| Marjorie Jackson | ... | Showgirl (uncredited) | |
| Patricia Jackson | ... | Dancer (uncredited) | |
| Bob Jellison | ... | Drugstore Patron (uncredited) | |
| Doris Kemper | ... | Anna - Backstage Maid (uncredited) | |
| Gail Langford | ... | Showgirl (uncredited) | |
| Joi Lansing | ... | Hat Model / Showgirl (uncredited) | |
| Nolan Leary | ... | Drugstore Clerk (uncredited) | |
| Jeni Le Gon | ... | Essie, Nadine's Maid (uncredited) | |
| Frank Mayo | ... | Headwaiter (uncredited) | |
| Harold Miller | ... | Diner in Restaurant (uncredited) | |
| Howard M. Mitchell | ... | Drugstore Patron (uncredited) | |
| George Noisom | ... | Western Union Messenger (uncredited) | |
| Robert Emmett O'Connor | ... | Policeman (uncredited) | |
| Dick Paxton | ... | Western Union Messenger (uncredited) | |
| Albert Pollet | ... | Waiter (uncredited) | |
| Angi O. Poulis | ... | Peddler (uncredited) | |
| Bobbie Priest | ... | Dancer (uncredited) | |
| Jean Romer | ... | Twin Showgirl (uncredited) | |
| Lynne Romer | ... | Twin Showgirl (uncredited) | |
| Ralph Sanford | ... | Hotel Detective (uncredited) | |
| Sara Shane | ... | Showgirl (uncredited) | |
| Dick Simmons | ... | Al - Ziegfeld Aide (uncredited) | |
| Dee Turnell | ... | Dancer (uncredited) | |
| Benay Venuta | ... | Bar Patron (uncredited) | |
| Patricia Walker | ... | Showgirl (uncredited) | |
| Johnny Walsh | ... | Western Union Messenger (uncredited) | |
| Wilson Wood | ... | Marty, Piano Player (uncredited) | |
Directed by | |||
| Charles Walters | |||
Writing credits | ||
| Frances Goodrich | (story) & | |
| Albert Hackett | (story) | |
| Sidney Sheldon | (screenplay) & | |
| Frances Goodrich | (screenplay) & | |
| Albert Hackett | (screenplay) | |
| Guy Bolton | uncredited | |
Produced by | |||
| Arthur Freed | .... | producer | |
| Roger Edens | .... | associate producer (uncredited) | |
Original Music by | |||
| Conrad Salinger | (uncredited) | ||
Cinematography by | |||
| Harry Stradling Sr. | (as Harry Stradling) | ||
Film Editing by | |||
| Albert Akst | |||
Art Direction by | |||
| Cedric Gibbons | |||
| Jack Martin Smith | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Irene | (costumes: women) | ||
| Valles | (costumes: men) | ||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
| Sydney Guilaroff | .... | hair styles designer | |
| Dorothy Ponedel | .... | key makeup artist (uncredited) | |
Production Management | |||
| Al Shenberg | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Carl 'Major' Roup | .... | second assistant director (uncredited) | |
| Wallace Worsley Jr. | .... | assistant director (uncredited) | |
Art Department | |||
| Arthur Krams | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
| James Brock | .... | sound (uncredited) | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Camera and Electrical Department | |||
| Richard Borland | .... | grip (uncredited) | |
| Ed Hubbell | .... | still photographer (uncredited) | |
| Sam Leavitt | .... | camera operator (uncredited) | |
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
Music Department | |||
| Leo Arnaud | .... | orchestrator | |
| Johnny Green | .... | musical director | |
| Conrad Salinger | .... | orchestrator | |
| Robert Tucker | .... | vocal arranger | |
| Van Cleave | .... | orchestrator | |
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Roger Edens | .... | composer: additional music (uncredited) | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Henri Jaffa | .... | associate technicolor color director | |
| Natalie Kalmus | .... | technicolor color director | |
| Fred Astaire | .... | choreographer (uncredited) | |
| Leslie H. Martinson | .... | script supervisor (uncredited) | |
| Charles Walters | .... | choreographer (uncredited) | |
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| Singin' in the Rain | Three Little Words | Brigadoon | Funny Girl | The Great Ziegfeld |
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For the only teaming of Fred Astaire and Judy Garland, Gene Kelly had to break an ankle playing touch football although he told the studio it was in rehearsal. So Fred Astaire who after another Irving Berlin musical extravaganza, Blue Skies at Paramount, got pulled out of retirement for this film. It was a happy accident for film fans.
Easter Parade by this time had become the national anthem for Easter and enjoys a grand seasonal popularity as Irving Berlin's White Christmas also. It was originally written for the musical revue As Thousands Cheer in 1933 and sung as a duet by Clifton Webb and Marilyn Miller. Bing Crosby reprised it in Holiday Inn in a very nice number driving a horsedrawn sleigh from church Easter services. But usually when it is presented visually, the clip of Judy Garland singing it in the finale is the one always shown.
By the way the melody originally was for a lyric entitled Smile and Show Your Dimple which bombed for Irving Berlin. Berlin was quoted as saying that popular songs are a perfect marriage between words and music and in this case the melody got divorced and married a second lyric successfully.
Easter Parade is a good mixture of old Irving Berlin material and new songs written for this film. Fred Astaire shines with one of the new ones in Stepping Out With My Baby which is a good followup to Putting On the Ritz which Astaire sang and danced to in Blue Skies. And Judy just shines in Better Luck Next Time.
The plot is a pretty simple one and for the MGM opulence that their musicals were known for their are very few actual speaking roles in this film. It's a romantic quadrangle with Fred Astaire being dumped by his erstwhile partner Ann Miller and then taking on Judy Garland in one of those 'I'll show her' moments of bravado. Peter Lawford's around to get whoever Astaire doesn't.
The acting honors in Easter Parade go to Judy. For all that talent Judy Garland was a most insecure person in life and she drew from that in bringing Hannah Brown to the screen.
Ann Miller's big number is Shaking the Blues Away which Ruth Etting introduced in 1927. Doris Day in fact does it in Love Me or Leave Me. Still Ann makes it more of a dance number than Doris did which is what Irving Berlin originally intended it to be.
The thing about Easter Parade and so many other films like it is that all that talent was contracted to that studio. You can't make a film like Easter Parade today because you'd have to pay full market price for the talent, even as Irving Berlin's numbers slip year after year into public domain.
The Easter parade with women dressed in their finest most tasteful frock is still a New York tradition on Easter Sunday. So is this film.