On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show. Written by
Stephan Eichenberg <email@example.com>
A Police officer writes Jonathan (Peter Lawford) a ticket for parking beside a fire hydrant. As he hands the ticket over he bumps the hydrant which visibly wobbles showing that it is not real. See more »
This is a superlative musical, made by the very best musical talents at the top of their game. Judy Garland and Fred Astaire were (along with Gene Kelly) the ultimate in musical comedy stars, and this was their only on-screen pairing. This film affords them the chance to shine both individually and as a duo, displaying Astaire's dazzling footwork and Garland's throbbing voice, as well as their comic abilities. Irving Berlin provides them with a potpourri of popular tunes, and there are several stunning show-stoppers, especially the "A Couple of Swells" number (with Astaire parodying his usual Top Hat and Tails persona). Garland's voice makes "I Love a Piano" ring out, and Astaire shows that at nearly age 50 he could still dance with aplomb in "Steppin' Out with my Baby" (though why they decided to run part of it in slow motion when this could never happen in the stage production they were presenting is a bit of a mystery). The opening number, "Drum Crazy" is also a little masterpiece, since it highlights not only Astaire's dancing, but also his drumming abilities, and also tells a little story and comments on his character as well, all without a word of dialogue. Mention should also be made of the sensational Ann Miller, in one of her best roles. The songs (some old, some new) fit very snugly into the fluffy but sturdy plot, and the entire package is a nifty delight and a reminder of what musical comedy was like when it reached the heights.
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