On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show. Written by
Stephan Eichenberg <firstname.lastname@example.org>
I just saw "Easter Parade" on the big screen for the first time, earlier this evening, and have to say that it's definitely one of the best musicals ever produced by the Arthur Freed Unit at MGM, especially out of the ones from the 1940's.
I really enjoyed the movie even though I've already seen it several times on video. It features all of the halmarks of a Freed production including an amazing cast with Fred Astaire, Judy Garland, and Ann Miller, lush technicolor photography, incredible dancing, and a great score that features over 16 songs by Irving Berlin. It actually had a pretty good story too, rather just a bunch of songs with a plot that basically exists to get from one song to the next, like in some lesser musicals.
The story is about a famous dancer, played by Fred Astaire, who tries to build a new act with an inexperienced chorus girl whom he discovers (Garland), after his former partner (Miller) leaves him to pursue a solo career. Of course, the requisite romantic complications and personal and professional jealousies also figure into the mix.
Since all three principles play performers, there are plenty of opportunities for each of them to show off their singing and dancing in almost iconic numbers like "Steppin' Out with My Baby", "Shakin' the Blues Away", and "A Couple of Swells", which have all come to be heavily identified with Astaire, Miller, and Garland respectively throughout their careers.
I definitely enjoyed this film and think it's a must-see for anyone who enjoys musicals or are fans of Fred Astaire, Judy Garland, and Ann Miller. (Peter Lawford's in this one too, but I'm not a huge fan of his.) Too bad there's no DVD version.
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