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Easter Parade (1948)

Approved  |   |  Musical, Romance  |  8 July 1948 (USA)
7.5
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Ratings: 7.5/10 from 5,978 users  
Reviews: 70 user | 44 critic

A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star.

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(screenplay), (screenplay), 4 more credits »
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Title: Easter Parade (1948)

Easter Parade (1948) on IMDb 7.5/10

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Won 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
...
...
...
Jonathan Harrow III
...
Nadine Hale
Jules Munshin ...
Headwaiter François
Clinton Sundberg ...
Mike the Bartender
Richard Beavers ...
Singer ("The Girl on the Magazine Cover")
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Storyline

Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact, that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact, that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion, that he is still in love with Nadine, and her suspicion grows, when he dances with Nadine in a Night Club Floor Show. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Full of melody! Full of young love! See more »

Genres:

Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

8 July 1948 (USA)  »

Also Known As:

Irving Berlin's Easter Parade  »

Box Office

Budget:

$2,503,654 (estimated)

Gross:

$6,803,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This picture, which began its run nationally on July 8, 1948, was the second-biggest moneymaking film of the year, directly after the Crosby-Hope-Lamour Road to Rio (1947), which was launched nationally on Christmas Day of 1947. The critical and financial success of the Garland-Astaire pairing chiefly "made up" for the mixed reviews and poor box office (except in a few large cities) of Judy Garland's prior musical, The Pirate (1948), which had opened nationally on June 11, only a month before her frolic with Mr. Astaire was seen by moviegoers. See more »

Goofs

A Police officer writes Jonathan (Peter Lawford) a ticket for parking beside a fire hydrant. As he hands the ticket over he bumps the hydrant which visibly wobbles showing that it is not real. See more »

Quotes

Sam - Don's Valet: How did the act go, Mr. Hewes?
Don Hewes: One bow.
Sam - Don's Valet: Too bad.
Don Hewes: Tomorrow we'd better get some dogs in the act.
See more »

Connections

Featured in That's Entertainment! (1974) See more »

Soundtracks

Beautiful Faces Need Beautiful Clothes
(uncredited)
Written by Irving Berlin
Danced by Fred Astaire and Judy Garland
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Best
17 October 2004 | by (New York, US) – See all my reviews

This is a superlative musical, made by the very best musical talents at the top of their game. Judy Garland and Fred Astaire were (along with Gene Kelly) the ultimate in musical comedy stars, and this was their only on-screen pairing. This film affords them the chance to shine both individually and as a duo, displaying Astaire's dazzling footwork and Garland's throbbing voice, as well as their comic abilities. Irving Berlin provides them with a potpourri of popular tunes, and there are several stunning show-stoppers, especially the "A Couple of Swells" number (with Astaire parodying his usual Top Hat and Tails persona). Garland's voice makes "I Love a Piano" ring out, and Astaire shows that at nearly age 50 he could still dance with aplomb in "Steppin' Out with my Baby" (though why they decided to run part of it in slow motion when this could never happen in the stage production they were presenting is a bit of a mystery). The opening number, "Drum Crazy" is also a little masterpiece, since it highlights not only Astaire's dancing, but also his drumming abilities, and also tells a little story and comments on his character as well, all without a word of dialogue. Mention should also be made of the sensational Ann Miller, in one of her best roles. The songs (some old, some new) fit very snugly into the fluffy but sturdy plot, and the entire package is a nifty delight and a reminder of what musical comedy was like when it reached the heights.


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