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Easter Parade (1948)

Approved | | Musical, Romance | 8 July 1948 (USA)
A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star.

Director:

Writers:

(screenplay), (screenplay) | 3 more credits »
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Won 1 Oscar. Another 1 win. See more awards »
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Cast

Complete credited cast:
...
...
...
Jonathan Harrow III
...
Nadine Hale
...
Headwaiter François
...
Mike the Bartender
Richard Beavers ...
Singer ("The Girl on the Magazine Cover")
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Storyline

Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Full of melody! Full of young love! See more »

Genres:

Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

8 July 1948 (USA)  »

Also Known As:

Irving Berlin's Easter Parade  »

Box Office

Budget:

$2,503,654 (estimated)

Gross:

$6,803,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the title song, the term "rotogravure" does not refer to the photographic process. In the days that this movie took place, newspapers would have a special insert - on holidays and Sundays - of photographs of local people and events. This special insert was called the Rotogravure. See more »

Goofs

In the "Roof Garden" scene, Nadine is wearing high heels when she does the "Magazine Cover" number. In the wings at the end of it, she removes her headdress, discards her huge fan, and goes back onstage to call Don Hewes out of the crowd to dance their old number. Suddenly, she's wearing ballet slippers. In fact, in all of her scenes with Don, she wears flat shoes, so as not to tower over him. See more »

Quotes

Jonathan Harrow III: He seems under the impression that you aren't too fond of him.
Hannah Brown: But I am! Terribly!
Jonathan Harrow III: Well, I'm afraid it's a little late.
Hannah Brown: A little late? Little late? Well, that can't be! What'll I do?
Jonathan Harrow III: Well, if I loved someone, I'd find a way to let them know it.
Jonathan Harrow III: Well, it's different with a man.
Jonathan Harrow III: Why?
Hannah Brown: I don't know. It just is, that's all. It's easier.
See more »

Connections

Referenced in Torchwood: Something Borrowed (2008) See more »

Soundtracks

A Fella with an Umbrella
(uncredited)
Written by Irving Berlin
Sung by Peter Lawford and Judy Garland
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Best
17 October 2004 | by (New York, US) – See all my reviews

This is a superlative musical, made by the very best musical talents at the top of their game. Judy Garland and Fred Astaire were (along with Gene Kelly) the ultimate in musical comedy stars, and this was their only on-screen pairing. This film affords them the chance to shine both individually and as a duo, displaying Astaire's dazzling footwork and Garland's throbbing voice, as well as their comic abilities. Irving Berlin provides them with a potpourri of popular tunes, and there are several stunning show-stoppers, especially the "A Couple of Swells" number (with Astaire parodying his usual Top Hat and Tails persona). Garland's voice makes "I Love a Piano" ring out, and Astaire shows that at nearly age 50 he could still dance with aplomb in "Steppin' Out with my Baby" (though why they decided to run part of it in slow motion when this could never happen in the stage production they were presenting is a bit of a mystery). The opening number, "Drum Crazy" is also a little masterpiece, since it highlights not only Astaire's dancing, but also his drumming abilities, and also tells a little story and comments on his character as well, all without a word of dialogue. Mention should also be made of the sensational Ann Miller, in one of her best roles. The songs (some old, some new) fit very snugly into the fluffy but sturdy plot, and the entire package is a nifty delight and a reminder of what musical comedy was like when it reached the heights.


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