On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact, that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact, that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion, that he is still in love with Nadine, and her suspicion grows, when he dances with Nadine in a Night Club Floor Show. Written by
Stephan Eichenberg <email@example.com>
The original title for the song "Easter Parade" was "Smile and Show Your Dimple". See more »
Watch Hannah's hat in the "Fella With the Umbrella" scene. She makes it through the drops to the umbrella with her feather relatively unharmed. The shot changes to a close up and her feather is drenched. Later its standing up straight again, then down again. Its pretty obvious that the close up shots were filmed before or after the longer shots. See more »
Don't you just love those old 40's musicals? Easter Parade is certainly one of the best, with Fred Astaire doing his amazing flashy but precise dancing, Judy Garland using her legendary voice to sing right from her heart into yours, and Ann Miller doing her own unique style of dancing and tapping while belting out great songs. And of course, everybody in the film uses any excuse to sing yet another song, usually dancing to it as well.
One of the special sequences has Fred Astaire dancing in slow motion while the rest of the cast dance at normal speed behind him! Sure, we can do that these days with computers, but remember this film was made in 1948!!
Of course there's the usual plot - Boy meets girl, they fall in love, have a misunderstanding, but get together again just in time for the big finishing number. That used to really get the audiences in, in those days, and they repeated that theme in every musical that ever was.
Any weak spots? Several of the film's routines seem a little amateurish by today's standards. For example, the waiter tossing his invisible salad just to do a bit of clowning seems a little contrived. Also, the film is supposedly set in 1912, so all the 1948 fashions and hairstyles are completely anachronistic - but what does that matter, after all, it's just an enjoyable romp.
I've given this film eight out of ten, but if I could just vote on Judy Garland's singing and Fred Astaire's dancing, I'd certainly give them ten out of ten. This is definitely a "must-see" film, just for those two incredible talents!
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