The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, the past come to ruin the wife's life.
CHRONICLE OF A BOY ALONE, is an indictment of a fascist regime running roughshod over its most vulnerable citizens, its children. Focusing on the bleak life of eleven-year-old bad boy Polin... See full summary »
A story about love deception, the return of the past, a tragedy, or even the violence contained in an everyday detail, appear themselves to push them towards the abyss, into the undeniable pleasure of losing control.
Luis Manuel Altamirano García,
In 1960, José del Carmen Valenzuela Torres, from the small town of Nahueltoro in Chile, brutally murdered Rosa Rivas Acuña and her five children. This classic film of the Latin American ... See full summary »
Much has been said pro or against this movie. What it is a fact is that it was internationally known thanks to a very well deserved distribution. It was the first Argentine picture to be nominated by the Academy in Hollywood. Time has preserved it. At least, partially. A gorgeous cinematography in black and white by Alberto Etchebehere and a good direction of actors make it worth to watch nowadays. On the other hand, the theater play by Brazilian Joracy Camargo has not aged well at all and its message looks quite old-fashioned. The story of the whore and the millionaire beggar falls through and not even the believable central couple -the competent Arturo de Córdova and Zully Moreno- can redeem it. Very good supporting cast headed by Enrique Chaico. There is a bonus and it is the music by Juan Ehlert which was used in some other productions of Argentina Sono Film. A first rate artist like Gori Muñoz was the author of the impressive settings. Unfortunately, after this film director Luis César Amadori sank into a sea of forgettable manufactures in order to amass quite a fortune. He and his wife -Zully Moreno- looked for exile in Spain after the 1955 coup. Both of them came back to Argentina in the 70s but they never again worked in their country of origin. A colourful note: the movie was re-released in the 60 s and 80 s to packed houses. abel posadas
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