A Maine lobster fisherman, trained as an architect, prefers to be a fisherman over the objections of his fiancée. The latter, a welfare worker for the state, finds a home for a 12-year-old ...
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A Maine lobster fisherman, trained as an architect, prefers to be a fisherman over the objections of his fiancée. The latter, a welfare worker for the state, finds a home for a 12-year-old orphan who loves the sea. He and the fisherman become friends but the fiancée, fearful of the dangers of sea life, forces the fisherman to restrict the boy from his boat. Denied the life he loves, the boy, in retribution, steals a camera and is sent to reform school. The couple marries and succeeds in getting a judge to grant a petition allowing them to adopt the boy. Written by
Les Adams <email@example.com>
While filming, Jean Peters was met by a fan several times, who bombarded her with marriage proposals. Peters turned him down every time, but the man did not quit proposing until she informed him that marrying her would mean taking care of her family. See more »
Another film from Fox that never shows up on television...
DEEP WATERS was the kind of film that slipped by without much notice, a simple tale about an orphan boy (DEAN STOCKWELL) who longs for adventure on the high seas and has to be restrained by an old maid (ANNE REVERE) and a couple of townspeople who are carrying on an affair while arguing about the boy's future (JEAN PETERS and DANA ANDREWS).
Jean was an interesting actress at Fox who never quite reached her potential as a star--and given material like this, it's a wonder she achieved the success she did in a number of other films. The story is pedestrian, saved by the good child performance of young Stockwell and benefits from some location photography in Maine mixed with studio shot scenes.
She plays a young woman in charge of Stockwell who is engaged in arguments with Andrews over his being a lobster-man who won't seek a safer job on land and is even more incensed when he takes Stockwell along with him aboard his vessel. CESAR ROMERO shows up as a Portugese fisherman and manages to give the film's only spirited performance.
Unfortunately, they're all stock characters adrift in a story that doesn't really hold water, no matter how deep it is. Based on a novel by Ruth Moore called SPOONHANDLE and directed by Henry King, it really doesn't amount to much, even with its storm at sea sequence.
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