Developed from a radio program which began in 1941, hyperactive teenager Judy challenges and is challenged by her overly proper parents, pest of a brother Randolph and boyfriend Oogie.
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Developed from a radio program which began in 1941, hyperactive teenager Judy challenges and is challenged by her overly proper parents, pest of a brother Randolph and boyfriend Oogie.
Carmen Miranda enjoyed her biggest film-song hit with the jaunty travel tune, "Cuanto la Gusta" (music by Gabriel Ruiz, lyrics by Ray Gilbert). Carmen's Decca single, blending her with The Andrews Sisters, peaked at number 12 in "Billboard," where the disc had a 14-week stay. In the picture, Miss Miranda's song and samba had the backing of 'Xavier Cugat' and His Orchestra. On Columbia Records, Cugi without Carmen scored a "Billboard"-charting success. See more »
Goofs
Following dinner at the Pringle house, Stephen and Oogie are walking through the house talking about women, and they pass the staircase twice as they walk toward the front door. See more »
Quotes
Carol Pringle:
It's a very nice little swing number, Judy. But I don't know if it's really appropriate for a High School dance.
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This film is a real riot of charm, song, wit and dazzling color. This kind of movie-making has been dead for a very long time, to my everlasting regret. Scotty Beckett and Jane Powell stand out. Unfortunately, Carmen Miranda is made to sing Hollywood's version of Brazilian songs, rather than the authentic stuff. It is disappointing that foreigners should so often be the object of amusement in American films. They are not allowed any dignity. However, Miranda makes the best of what she is given, and shines like a star.
The fun is wholesome, but not too wholesome. The plot involves suspected adultery by a venerable father!!! Plots and subplots are gloriously interwoven. Every time I see this film I am reassured that there IS such a thing as perfection.
24 of 36 people found this review helpful.
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This film is a real riot of charm, song, wit and dazzling color. This kind of movie-making has been dead for a very long time, to my everlasting regret. Scotty Beckett and Jane Powell stand out. Unfortunately, Carmen Miranda is made to sing Hollywood's version of Brazilian songs, rather than the authentic stuff. It is disappointing that foreigners should so often be the object of amusement in American films. They are not allowed any dignity. However, Miranda makes the best of what she is given, and shines like a star.
The fun is wholesome, but not too wholesome. The plot involves suspected adultery by a venerable father!!! Plots and subplots are gloriously interwoven. Every time I see this film I am reassured that there IS such a thing as perfection.