Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold... See full summary »
Edward H. Griffith
A bitter divorcée and a grumpy widower find themselves stuck in a hotel that is cut off from the outside by a snowstorm. Although both have no intention of getting married again, they begin... See full summary »
Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as ... See full summary »
A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any ... See full summary »
Submarine commander Ken White is forced to suddenly submerge, leaving his captain and another crew member to die outside the sub during WW II. Subsequent years of meaningless navy ground ... See full summary »
When a detective scoffs at his suggestion that an 18 year-old criminal be referred for psychiatric examination Dr. Andrew Collins, the police psychiatrist, tells him the story of his encounter with Al Walker. Walker had a history of violence and killed the prison warden during an escape. He and his gang took the Collins family and their friends hostage but when Dr. Collins learns that Walker has a violent recurring dream, he offers to help him decipher the dream and determine exactly what has driven him to a life of crime and violence. Written by
[Referring to Stevens]
How's the tough guy? Is he behaving?
He's talking business. He wants to make a deal. He thinks his life is worth money.
How much did he offer... two bucks?
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One-dimensional social comment film packaged as a crime drama to lure in the unconvinced.
Preachy story explaining why juveniles turn to crime because of the failure of the system.
Lee J.Cobb is a crime psychologist with a conscience, who is taken prisoner at his weekend retreat by notorious bad boy Al Walker ( William Holden ). While Cobb's guests are guarded by Walker's accomplices, the two form an uneasy truce. This results in Cobb analysing Walker's recurring nightmare, which frees him from his torment and exorcises his vendetta against society. His crimes are traced back to his childhood and lack of parental guidance. The 'message' is conveniently simplistic for the less demanding viewer - society helps create criminals in the way that young offenders are treated by the authorities, and that criminal behaviour in some cases should be treated as an illness not a crime.
While few would dispute there is some truth in this, the film thrusts this idea clumsily and implausibly. 'The Dark Past' is basically dull. Totally forgettable were it not for the presence of the two leads who acquit themselves adequately with the poor material.
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