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The Dancing Years (1950)

7.4
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Ratings: 7.4/10 from 19 users  
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The episodic story of a composer of operettas, Rudi Kleiber, in in old Viennese days, and the two women in his life; Maria Zeitler, his sweetheart, later mistress, lost love, an operetta ... See full summary »

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Title: The Dancing Years (1950)

The Dancing Years (1950) on IMDb 7.4/10

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Cast

Cast overview:
...
Gisèle Préville ...
Patricia Dainton ...
Anthony Nicholls ...
Prince Reinaldt
Grey Blake ...
Muriel George ...
Olive Gilbert ...
Martin Ross ...
Tenor
Gerald Case ...
Rudi's Secretary
Carl Jaffe ...
Headwaiter
Jeremy Spenser ...
Maria's Son
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Storyline

The episodic story of a composer of operettas, Rudi Kleiber, in in old Viennese days, and the two women in his life; Maria Zeitler, his sweetheart, later mistress, lost love, an operetta star, and his first patron, and the mother of a son he did not know he had; and of Greta, his first love and companion in later years. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Wonder Musical of the Year See more »

Genres:

Drama | Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 August 1950 (USA)  »

Also Known As:

A Valsa Eterna  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Connections

Featured in Elstree Story (1952) See more »

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User Reviews

 
Ivor must have been pleased
2 May 2005 | by See all my reviews

As the above poster said, it's pleasant, and as these misbegotten adaptations go, faithful to its origins. The 1939 operetta was a megahit in the West End, thanks to a lavish production, Novello's lovely melodies, and characters rather more three-dimensional than the genre generally invited. Rudi and Maria are flawed, interesting people, self-absorbed but kind, loving but suspicious, and a reasonable amount of their adult qualities make the transition from stage to screen. (There's even a love child involved, and the movie doesn't judge its parents for that.) Some pretty songs are missing, as is all of Act Three, in which Rudi -- an Austrian Jew, in the stage version -- runs afoul of some nasty Nazis and is rescued through the last-minute intervention of Maria. (What with a Salzburg music festival, a heroine named Maria, and snarling Nazis, the work actually shares quite a lot with "The Sound of Music.") What remains tends toward soap opera, and Price isn't a truly charismatic leading man. But it's a nice surprise to encounter so much intact stage dialog and music, performed by a generally capable cast (and Patricia Dainton is delightful). Pretty Technicolor, too.


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